Manual Photographers, photography, The creative process

The Manual Photographers Series Part 0.2: BastianK

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Hi Bastian,
can you tell us a little bit about yourself and why you use manual Lenses?

Bastian: I am a bridge engineer from Germany and my lovestory with manual lenses began with the 50mm 0.95 Mitakon and the 12mm 5.6 Voigtlander used with the Sony A7. I couldn’t believe it being possible to get consistently sharp results with a lens like the 50mm 0.95 after I have so badly failed using an Ai-s Nikkor 50mm 1.2 on my D800 (which was even equipped with an EG-s focusing screen).  The 12mm 5.6 on the other hand was a total relief in terms of size and weight and so I was hooked. Right now I have sold almost all of my Nikon gear. If you are curious you can read the whole story here: my transition from Nikon to Sony.
It is also a matter of fact that by the time I was using manual lenses I realised I don’t need AF for most of what I am doing and so today I am confident enough to even shoot weddings without AF lenses.

bastian kratzke sony a7rii a7s photography aspects important introduction manual lenses
Sony A7s | Nikon AF-S 20mm 1.8G | f/11.0 | higher resolution
bastian kratzke sony a7rii a7s photography aspects important introduction manual lenses
Sony A7s | Leica Summicron-M 90mm 2.0 pre Asph | f/11.0 | higher resolution
bastian kratzke sony a7rii a7s photography aspects important introduction manual lenses
Sony A7s | Loxia 21mm 2.8 | f/10.0 | higher resolution

Continue reading The Manual Photographers Series Part 0.2: BastianK →

Canon EF-Mount, lenses, Review

Review: Laowa 12mm 2.8 Zero-D

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Introduction

Sony A7rII with Laowa 12mm 2.8 Zero-D and Sigma MC-11 adapter
Sony A7rII with Laowa 12mm 2.8 Zero-D and Sigma MC-11 adapter

It is a very interesting time for wide angle junkies like me: after the smallish Voigtlander 10mm 5.6 and 15mm 4.5 I now get the chance to review the fast Laowa 12mm 2.8 Zero-D. It is the fastest rectilinear lens wider than 14mm and the widest rectilinear lens as fast as f/2.8 and I am very curious to find out about the optical qualities!
Last Update: Review finalized, Longitudinal CA, Bokeh, Alternatives, preliminary conclusion added (08/09/16)

Sample Images

sony a7 a7rii a7rm2 laowa venus optics zero distortion wide angle 12mm 2.8 fast coma bokeh mercedes museum stuttgart
Sony A7rII | Laowa 12mm 2.8 Zero-D | f/8.0 | full resolution
sony a7 a7rii a7rm2 laowa venus optics zero distortion wide angle 12mm 2.8 fast coma astro astrophotography
Sony A7s | Laowa 12mm 2.8 | f/2.8 | ISO6400 | 25s | full resolution
sony a7 a7rii a7rm2 laowa venus optics zero distortion wide angle 12mm 2.8 fast coma bokeh
Sony A7rII | Laowa 12mm 2.8 Zero-D | f/11 | full resolution

Continue reading Review: Laowa 12mm 2.8 Zero-D →

Canon FD-Mount, Comparison, Minolta SR mount

Comparison: Minolta MC 1.2/58 vs Canon FD 1.2/55

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In todays post I compare two super fast lenses from the late 60’s. The Minolta MC 1.2/58 is a legend and priced as such while the Canon isn’t to popular and one of the most affordable f/1.2 lenses out there.

Sample Images

The following three images are processed with identical settings.


Full resolution: Minolta | Canon


Full resolution: Minolta | Canon


Full resolution: Minolta | Canon

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Canon EF-Mount, lenses, Review, Sony E-mount

Review: Laowa STF 105mm F2.0 (T3.2)

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Venus Optics is a new player in the field of high performance manual lenses. Their new Laowa Smooth Trans Focus 105mm F 2.0(T3.2) has a special apodization element which should give this lens extraordinary bokeh. That’s the theory, in this review I will put it to the test.

Sample images

Most images in this review are linked to the full resolution, just click on them. There is also a Laowa STF 105mm F 2.0 flickr album.

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Accessories

Tripods for Mirrorless Cameras

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Introduction

tripods mirrorless cameras velbon gitzo manfrotto sirui rrs kirk markins a7rii a7s

When it comes to tripods mirrorless cameras have different requirements than DSLRs and so you can often get by with a lighter tripod. Unfortunately there are many manufacturers to chose from and even more commercial claims which are often misleading. As I have not only used quite a few myself but also witnessed the joy and frustation people experienced with their tripods during my workshops, I want to share my experiences with you.

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