Call out to readers: Looking for a Nikon Z 35mm 1.2 S

Dear readers,

I plan on doing a comparison of super fast 35mm fullframe lenses (very similar to my comparisons of Super Fast 50mm M-mount lenses and Fast 28mm lenses) and I already gathered the Sigma 35mm 1.2 DG DN Art, Samyang 35mm 1.2 XP, Voigtländer VM 35mm 1.2 Nokton III, Laowa 35mm 0.95 Argus and a new unreleased 35mm 1.2 AF lens.

I would love to include the recently announced Nikon Z 35mm 1.2 S in this comparison, that should hit the market on February 26th. Sadly at the moment I don’t have 3.250€ lying around to just buy one (remember: reviewing lenses doesn’t make you rich).

I reached out to Nikon Marketing Germany, but I haven’t heard back from them yet and as I haven’t worked with them before and just a year ago we started doing Nikon reviews on a bigger scale I doubt I will.

So if someone among you (preferably from Germany) has a Nikon Z 35mm 1.2 S on preorder it would be great if you would consider sending it to me first for a week, as then I could include it in that comparison, which would be a great service to the community.

I know chances are slim, but I also know we have a great community, so I am taking my chances here.

Just leave a comment to get in contact!

Thanks in advance
Bastian

Analogue Adventures – Part 39: Fujichrome Velvia 100

fuji fujifilm fujichrome slide film velvia 100 france review nikon f analogue film hamburg germany f80
Fujichrome Velvia 100

Under the label Fujichrome, Fujifilm is still selling several types of slide film and one of those is Velvia 100. Let’s have a look at some pictures taken with this film under varying conditions.
Processing (E-6) and scanning (Noritsu) was done at urbanfilmlab in Germany.

fuji fujifilm fujichrome slide film velvia 100 france review nikon f analogue film hamburg germany f80
Nikon F80 | Fujichrome Velvia 100 | Nikon AF-S 24-70mm 2.8G | 70mm
fuji fujifilm fujichrome slide film velvia 100 france review nikon f analogue film hamburg germany f80
Nikon F80 | Fujichrome Velvia 100 | Nikon AF-S 24-70mm 2.8G | 70mm
fuji fujifilm fujichrome slide film velvia 100 france review nikon f analogue film hamburg germany f80
Nikon F80 | Fujichrome Velvia 100 | Nikon AF-S 24-70mm 2.8G
fuji fujifilm fujichrome slide film velvia 100 france review nikon f analogue film hamburg germany f80
Nikon F80 | Fujichrome Velvia 100 | Nikon AF-S 24-70mm 2.8G | 24mm
fuji fujifilm fujichrome slide film velvia 100 france review nikon f analogue film hamburg germany f80
Nikon F80 | Fujichrome Velvia 100 | Nikon AF-S 24-70mm 2.8G | 24mm

Continue reading Analogue Adventures – Part 39: Fujichrome Velvia 100

Review: Voigtländer VM 90mm 2.0 Apo-Ultron

Introduction

voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Voigtländer VM 90mm 2.0 Apo-Ultron on Leica M10

I wasn’t sure, if after the Voigtländer VM 90mm 2.8 Apo-Skopar, Cosina will also produce a faster 90mm lens, but that thinking was put to a stop in early 2025, when they announced this Voigtländer VM 90mm 2.0 Apo-Ultron. A direct competitor to the Leica 90mm 2.0 Apo-Summicron, which was first released in 1998. Let’s see how it performs.

Sample Images

voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Leica M10 | Voigtländer VM 90mm 2.0 Apo-Ultron | f/2.0
voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Leica M10 | Voigtländer VM 90mm 2.0 Apo-Ultron | f/2.0
voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Leica M10 | Voigtländer VM 90mm 2.0 Apo-Ultron | f/2.0
voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Leica M10 | Voigtländer VM 90mm 2.0 Apo-Ultron | f/2.0
voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Leica M10 | Voigtländer VM 90mm 2.0 Apo-Ultron | f/8.0
voigtländer vm apo-ultron 90mm 2.0 review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting portrait
Leica M10 | Voigtländer VM 90mm 2.0 Apo-Ultron | f/2.0

Continue reading Review: Voigtländer VM 90mm 2.0 Apo-Ultron

Guide to the best 50mm Lenses for full frame Sony E-mount cameras: A7/A9/A1

zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review
Sony A7rII | Zhong YI 50mm 0.95 M | f/0.95

The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Others of us are less keen, finding it usually too short or too long. Obviously there is no right answer here, it depends on how each photographer sees the world.

We also have a general guide to FE-lenses, 9-18mm ultra wide angle lenses, guide to 20-28mm wide angle lenses, 35mm lenses, 85-200mm portrait lenses and macro lenses.

But it is a very versatile focal length with a wide range of applications. It can be used for slightly formal portraits, moderately environmental portraits, landscape, architecture – most things except wildlife or sport. You can also, with a little quality loss, crop down to a more formal portrait angle of view, and you can – with a gain in both quality and hassle – stitch frames to get wider angles of view for certain kinds of landscape.

In this article we summarize our experience with all the native E-mount 50mm lenses to give you a independent resource in one place for choosing the best 50 mm lens for your needs. We will cover AF E-mount, MF E-mount with electronic contacts, and lenses with the E-mount but no contacts.

Unlike most other review sites we have no association with any lens manufacturer apart from occasionally borrowing a lens for a review. We prefer independence over fancy trips and nice meals.

Before discussing each lens, we tell you which of us had or has the lens, and whether it was purchased or borrowed for review. In most cases we have bought the lenses new from retail stores or on the used market. 

If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.

If you purchase the lens through one of the affiliate-links in this article we get a small compensation with no additional cost to you.

Last update: March 2025, Sigma 50mm 1.2 and Sony 50mm 1.4 GM added, Sony 50 1.2 GM, 50mm 2.5 G and Sigma 50mm 2.0 DG DN updated, cleaned up

Continue reading Guide to the best 50mm Lenses for full frame Sony E-mount cameras: A7/A9/A1

Review: Nikon AF-S 50mm 1.4G

Introduction

nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon AF-S 50mm 1.4G via Monster LA-FE1 on Sony A7rII

When released in 2008, the Nikon AF-S 50mm 1.4G was the first fast prime lens updated to the AF-S standard, adding an in-lens AF-S ring motor and ditching the aperture ring. Already back in the day this wasn’t exactly considered a high performance lens, so where does it stand today? Let’s find out in this review.

Sample Images

nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Monster LA-FE1 | Nikon AF-S 50mm 1.4G | f/1.4
nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Monster LA-FE1 | Nikon AF-S 50mm 1.4G | f/1.4
nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Monster LA-FE1 | Nikon AF-S 50mm 1.4G | f/4.0
nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Monster LA-FE1 | Nikon AF-S 50mm 1.4G | f/4.0
nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Monster LA-FE1 | Nikon AF-S 50mm 1.4G | f/4.5
nikon af-s 50mm 1.4 g 1.4g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Monster LA-FE1 | Nikon AF-S 50mm 1.4G | f/1.4

Continue reading Review: Nikon AF-S 50mm 1.4G

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