Those of you that already had a look at my other reviews of Light Lens Lab lenses already know, their mission is to bring back rare and expensive lenses from the past at more affordable prices to give more people the opportunity to use them. After the 35mm 2.0 8-element they tackled the 28mm 2.8 9-element – a lens going for almost 10 grand on the used market for reasons I have yet to understand. Let’s see how this lens compares to the tiny Voigtländer VM 28mm 2.8 Color-Skopar. This lens will be reviewed on the 24mp Leica M10 and the 42mp Sony A7rII.
Choose the right lens for your Sony Alpha with the help of our independent knowledge gained by writing many in-depth reviews.
We have an in-depth knowledge of many of the lenses listed here not only because we have used them, but also because we have reviewed many of them in detail. We are also independent from any lens manufacturer and when you check our reviews you will see that we do not hesitate to name any shortcomings of a lens.
We will also talk about lens aberrations, if you don’t know too much about these terms maybe have a look at our article Lens aberrations explained first.
Originally the idea of this guide was to include all available fullframe E-mount lenses. The number of fullframe E-mount lenses has significantly grown over the years though, so that has become an impossible task.
From now on this article will only include lenses that we find currently recommendable. That will make this article much easier to navigate and read and therefore more valuable. It should also make it easier for us to keep it up to date, as we don’t have to waste a lot of time adding uninteresting or mediocre lenses anymore. I also removed most of the super tele lenses, as we have too little experience with them. The aim is to generally keep this article below 10000 words, which is still a whole lot.
The Nikon Z 24-70mm f/4 S was the first zoom lens designed for the Nikon Z system. Zoom lenses are known for their convenience and versatility, and this one is often bundled as a kit lens with various Z-series cameras. But does it fit the mold of a typical kit lens? Or does the ‘S’ designation—reserved for Nikon’s high-end lenses—along with its $1,000 price tag, put it in a different league? Let’s find out!
Do you even need a tripod these days? To be honest, the necessity of tripods has been significantly reduced thanks to highly effective in-body image stabilisation, improved image quality at high ISOs and AI noise reduction, super-wide dynamic range of today’s digital sensors, and in-camera HDR modes.
Despite modern tech making tripods less necessary in some situations, they’re still invaluable in plenty of others. Tripods remain essential for long-exposure and astro photography, staging group photos, and focus stacking, to achieve sharp and crisp landscapes from close foreground to infinity, and especially for macro photography. Other applications where tripods are crucial include architectural photography, when you need to set up your camera with supreme precision, or when taking a series of shots with incremental panning to create panoramas. They also free up your hands for attaching or removing accessories like lens filters and microphones. Furthermore, tripods are indispensable for video work and studio photography.
So, which tripod should you choose?
Many of us know about high-end tripods like Gitzo and RRS, but are we always willing to pay a premium for that level of quality and reputation? And what about newer, lesser-known brands? one of them: the Fotopro Origin Plus Travel Tripod, a model that promises innovation and stability at a competitive price. Let’s have a look!
Long exposure on Fotopro Origin Plus tripodPrecise architectural photography in Low light (1/6 s) on Fotopro Origin Plus tripodPanorama made of multiple exposures on a Fotopro Origin PlusThe original panorama of the previous imageMultiple exposures on a Fotopro Origin Plus tripodLong exposure on Fotopro Origin Plus tripod
Having a state of the art 70-200mm 2.8 zoom is something very important for the camera manufacturers, as these are extremely popular lenses – especially among the professional customers. Sadly, Sony’s first generation for the FE system wasn’t exactly a stellar performer and fell noticeably behind Nikon’s and Canon’s offerings. I said it before: Sony is very much aware of what the duds in the lineup are, so also here they released an improved version, the Sony FE 70-200mm 2.8 GM OSS II. Is this finally the 70-200mm 2.8 telezoom Sony customers deserve? Let’s find out in this review.
Sample Images
Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 145mm | f/2.8Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 200mm | f/2.8Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 70mm | f/2.8Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 170mm | f/2.8Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 70mm | f/4.0Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 70mm | f/4.0Nikon Zf | Megadap ETZ21pro | Sony FE 70-200mm 2.8 GM OSS II | 150mm | f/2.8
Sony α | Leica M | Nikon F/Z New article every week
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I tested this lens on a 
You can see this review as a 
Sample images in high resolution 
