I have mainly been using Kodak films so far, but one day a local store had some stock of Fujifilm 200 available, so of course I bought a roll. During the film era it was a fierce competition between Kodak and Fujifilm, but these days the situation is a bit different it seems…
Introduction I already shared some of these pictures in my other articles, but I received some comments that you would also sometimes like to know where the pictures in the articles have been taken, so I decided to do that here.
As you may or may not know we have several guides on fullframe E-mount lenses: Sony FE lenses: The honest Guide for the A7/A9/A1 Series 9-18mm Ultra-Wideangle lenses for the Sony A7/A9/A1 Series 20-28mm Wideangle lenses for the Sony A7/A9/A1 Series 35mm lenses for the Sony A7/A9/A1 Series 50mm lenses for the Sony A7/A9/A1 Series … Continue reading Lens Guides Updated and Upgraded
Introduction Distortion is one of the classic lens aberrations and comes in various forms. We will have a look at them, see which ones are easy to correct and how to create correction profiles for those lenses with complicated wavy distortion patterns.
Introduction Tilt/Shift lenses are rather exotic, they are mostly used for architecture or table top photography, and with the wide availability of post processing (correcting converging vertical lines and focus stacking) you see them very rarely nowadays, even amongst professional photographers. In this article I will tell you what Tilt/Shift lenses are all about and … Continue reading Working with Tilt/Shift lenses