Introduction The TTArtisan 35mm T2.1 Cine Dual-Bokeh is a unique lens. We rarely review cine lenses, but this one stands out. Over the past few years, TTArtisan has introduced innovative and daring lens designs. Their latest creation features a unique ability to control the bokeh character—an intriguing function with some unusual behaviour. Some will love … Continue reading Review: TTArtisan 35mm T/2.1 – Dual-Bokeh Cine Lens
Introduction While some lens manufacturers strive for optical perfection, others decide to offer lenses with more “character” – often based on famous lenses from the past. This Artizlab 35mm 1.4 Classic is one such lens. From the outside it looks like the Leica 35mm 1.4 Summilux from 1960 and while featuring a different optical design, … Continue reading Review: Artizlab 35mm 1.4 Classic
Introduction Released in 2017, this Samyang 14mm 2.4 XP had a similarly bad timing as the Zeiss Otus and Milvus lenses its mechanical design is undoubtedly based on. By that time many people started using mirrorless cameras, so these huge DSLR designs certainly started looking less appealing. On top of that, many of us had … Continue reading Review: Samyang 14mm 2.4 XP
Introduction Cosina is still making new manual focus lenses for the Nikon F-mount and currently the widest option in the line up is this Voigtländer 28mm 2.8 SL IIs Color-Skopar. It may not be as small as the M-mount version I already reviewed, but for an SLR lens it can still be considered very compact … Continue reading Review: Voigtländer 28mm 2.8 SL IIs Color-Skopar (Nikon F)
Introduction When making the transition from Nikon DSLRs to Sony fullframe mirrorless, letting my Nikon AF-S 200mm 2.0G VRI go was not an easy decision. At that time there were no decent Nikon-F to Sony-E adapters available though – let alone mirrorless cameras made by Nikon – and I couldn’t afford to keep a Nikon … Continue reading Review: Nikon AF-S 200mm 2.0G IF-ED VRI