Introduction Originally designed as Leica Summicron-C 40mm 2.0 to ship with the Leica/Minolta CL, this Minolta 40mm 2.0 M-Rokkor version with same optical design (but allegedly improved coatings) was one of the three M-mount lenses destined to be used with the improved Minolta CLE. This is still one of the most compact M-mount lenses and … Continue reading Review: Minolta 40mm 2.0 M-Rokkor
Introduction I love to have a closer look at exotic lenses from the past, especially those that had a huge influence on lens design in general, that pushed the boundaries and ultimately redefined the idea of optical performance. This Nikon AF Nikkor 28mm 1.4 D is definitely one of those lenses. Not only does it … Continue reading Review: Nikon AF 28mm 1.4 D – The wide angle Noct Nikkor
Introduction It has generally been difficult to find ultra wide-angle prime lenses for any system until a few years ago. If you wanted a lens as wide as 14mm your only options were from Sony, Canon, or Zeiss for a lot of money that no ordinary man could afford. It has gradually changed and there … Continue reading Review: Pergear 14mm f/2.8 II (FF)
Introduction I always had the feeling the Sony FE 12-24mm 2.8 GM has been flying under the radar a bit, which is surprising, because it might be the most spectacular ultra wide angle lens any manufacturer has ever built, but let me tell you in this review why I think so. Sample Images
Introduction It has generally been difficult to find ultra wide-angle prime lenses for any system until a few years ago. It has become much better for full-frame cameras, but still a scarce market in the APS-C world. If available, most of the ultra-wide angle lenses are zoom lenses, with variable apertures and usually not that … Continue reading Review: TTArtisan 10mm f/2 (APS-C)