Different Filter Stacks and what they mean for us: Sony E | Nikon Z | Leica M | Kolari UT

Introduction When Sony released the first affordable fullframe camera with the A7 in 2013 almost none of the enthusiast photographers were aware of issues related to filter stack differences. Filter stack describes what is in front of the sensor and different manufacturers decided to go for different thicknesses here that can influence how our lenses … Continue reading Different Filter Stacks and what they mean for us: Sony E | Nikon Z | Leica M | Kolari UT

Analogue Adventures – Part 31: Which Nikon F-mount film camera to get?

Introduction Some of you may still remember the first part of this series, where I described what analogue cameras I had a look at and why I ultimately ended up with a Leica M6. An F-mount analogue camera was also in strong consideration, but I did not go for it because I did not want … Continue reading Analogue Adventures – Part 31: Which Nikon F-mount film camera to get?

Review: Nikon Z 40mm f/2 – The Street Sniper for Discreet Photography

Introduction 40mm is one of my favorite focal lengths. Closer to the human’s natural angle of view than a 50mm, and slightly wider than 50mm, it allows for more context to be included in the image. I prefer this focal length in front of a 50mm for street and everyday photography. The Nikon Nikkor Z … Continue reading Review: Nikon Z 40mm f/2 – The Street Sniper for Discreet Photography

Review: Monster LA-FE1 and LA-FE2 AF Adapter (Nikon-F to Sony-E)

Introduction Canon users that wanted to get into the fullframe mirrorless E-mount world early were in a good spot: the Sigma MC-11 and the metabones Canon EF to Sony E adapters allowed using Canon EF-mount lenses on Sony cameras with only little limitations. For Nikon F-mount users the situation was sadly way worse and it … Continue reading Review: Monster LA-FE1 and LA-FE2 AF Adapter (Nikon-F to Sony-E)