Category Archives: Analogue

Analogue Adventures – Part 52: Kodak Ektachrome E200 (expired)

Kodak Ektachrome E200

Kodak Ektachrome E200 is a daylight slide film whose production ceased a very long time ago. I got my hands on a roll (expired in 2009), so let’s see what we are missing out on these days.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.

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Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Kodakchrome E200 | E-6
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Kodakchrome E200 | E-6
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Kodakchrome E200 | E-6
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Kodakchrome E200 | E-6
Leica M6 | Voigtländer VM 21mm 3.5 Color-Skopar | f/3.5 | Kodak Ektachrome E200 | E-6

Continue reading Analogue Adventures – Part 52: Kodak Ektachrome E200 (expired)

Analogue Adventures – Part 51: Kodak Pro Image 100 ECN-2

Kodak Pro Image 100

I already shot Kodak Pro Image 100 and had it developed in the typical C-41 process, this time we see how it turns out when developed in the more complex ECN-2 process.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from one roll of film. Per recommendation when having the film ECN-2 developed I shot it at half box speed (ISO 50).

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Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/2.0
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/0.95
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/2.0

Continue reading Analogue Adventures – Part 51: Kodak Pro Image 100 ECN-2

Analogue Adventures – Part 50: What I learned from Shooting Film (so far)

Introduction

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Leica M6 | 200T | MS-Optics 24mm 2.0 Aporia | f/8.0

In late 2021 I decided to buy an analogue camera and shoot some film, an experiment whose results I constantly shared with you. In the meantime I exposed around 60 films, which I all had developed and scanned and many of these pictures we also discussed afterwards. This is is already the 50th part of this series, so I thought it might be time for an interim conclusion.

Keep in mind I am only talking about 35mm film here.

Continue reading Analogue Adventures – Part 50: What I learned from Shooting Film (so far)

Analogue Photography: Part 6 – Kodak Gold 200

Saab 35 Draken – a light single-engine supersonic interceptor and fighter aircraft

After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200.

The film was developed by bildskanning.com, and digitized using a Valoi easy120 system and TTArtisan 100mm macro 2X. The scans were then processed in Negative Lab Pro.

With this roll in the camera, I set out to explore two very different museums.

The first was the Flygvapenmuseum, (The Swedish Air Force Museum).

The Focke-Wulf Fw 44 Stieglitz , mid 1920s
Finnish Air Force biplane, Gloster Gladiator
Saab 17 – reconnaissance dive-bomber aircraft of the 1940s

Continue reading Analogue Photography: Part 6 – Kodak Gold 200

Analogue Adventures – Part 48: Hexar RF

Hexar RF

Released in 1999, the Konica Hexar RF is the most advanced analogue M-mount rangefinder camera ever made, far surpassing the Minolta CLE and all of Leica’s analogue cameras that came after. Let’s have a closer look!

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Hexar RF | Wolfen 500 NC | MS-Optics 50mm 1.0 ISM | f/1.4
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Hexar RF | Kodak Royal Supra 400 | MS-Optics 24mm 2.0 | f/2.0
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Hexar RF | Kodak Royal Supra 400 | Voigtländer VM 35mm 1.2 III | f/8.0
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Hexar RF | Kodak Royal Supra 400 | MS-Optics 35mm 1.4 | f/2.0
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | Voigtländer VM 35mm 1.2 III | f/1.2
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | Voigtländer VM 35mm 1.2 III | f/1.2

Continue reading Analogue Adventures – Part 48: Hexar RF