Category Archives: Analogue

Analogue Adventures – Part 36: Silbersalz35 125T Edition Vivid

Silbersalz35 125T Edition Vivid 500Silbersalz35 is mainly famous for their repacked Kodak Vision3 Cine films, but every now and then they also sell this “Edition Vivid 500 125T Vintage Cinefilm”. Rumors are this is expired Fuji Eterna 500, downrated to ISO125, but there is no way for me to verify that. What I did however, I bought two rolls of this film and here you can find some pictures from the first one.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.

Leica M6 | Voigtländer VM 35mm 1.2 III | f/1.2 | 125T
Leica M6 | Voigtländer VM 35mm 1.2 III | f/1.2 | 125T
Leica M6 | Voigtländer VM 40mm 1.4 | f/2.0 | 125T
Leica M6 | Voigtländer VM 40mm 1.4 | f/11 | 125T
Leica M6 | Voigtländer VM 40mm 1.4 | f/2.8 | 125T

Continue reading Analogue Adventures – Part 36: Silbersalz35 125T Edition Vivid

Analogue Adventures – Part 35: Kodak Eastman Double-X 200

Kodak Eastman Double-X 200

The nice thing about this series: sometimes very unexpected things happen. A friend from Hong Kong sent me a roll of Eastman Double-X 200 black and white film. The regular readers already know I am not a huge fan of black and white film, but they also know I could never resist using a film I haven’t used before, so here we are. This did not end how I expected it to though.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.

kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Sigma 50mm 1.4 EX | f/1.4
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Sigma 50mm 1.4 EX | f/1.4
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Sigma 50mm 1.4 EX | f/8.0
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Sigma 50mm 1.4 EX | f/8.0

Continue reading Analogue Adventures – Part 35: Kodak Eastman Double-X 200

Analogue Adventures – Part 34: Kodak Pro Image 100

Kodak Pro Image 100

I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.

kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/1.4
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/1.4
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/2.8
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/8.0
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/8.0

Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100

Analogue Adventures – Part 33: Harman Phoenix 200

Harman Phoenix 200

This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, but I am not really sure this is the film we were hoping for, let me tell you why.
Processing (C.41) and scanning was done at urbanfilmlab in Germany. The pictures in this article are from two rolls of film.

harman phoenix 200 review nikon f analogue film italy garda venice venezia
Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200
harman phoenix 200 review nikon f analogue film italy garda venice venezia
Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200
harman phoenix 200 review nikon f analogue film italy garda venice venezia
Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200
harman phoenix 200 review nikon f analogue film italy garda venice venezia
Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200
harman phoenix 200 review nikon f analogue film italy garda venice venezia
Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200

Continue reading Analogue Adventures – Part 33: Harman Phoenix 200

Analogue Adventures – Part 32: Fuji 100

fuji fujifilm 100 superior review minolta cle leica analogue analog istanbul türkiye turkey
Fuji 100

In 2024 no one really knows anymore what is going on at Fujifilm when it comes to actual analogue film. Apparently the Fujifilm 200 that is being sold in the US is just relabeled Kodak Gold 200 – something absolutely unthinkable of just a few years ago. This Fuji 100 I received from a reader (Thanks a lot!) has been bought directly from Japan though, so it looks like the real deal, let’s have a look at the results together.
Processing (C.41) and scanning was done at urbanfilmlab in Germany.

fuji fujifilm 100 superior review minolta cle leica analogue analog istanbul türkiye turkey
Minolta CLE | Voigtländer VM 40mm 1.4 | f/2.8
fuji fujifilm 100 superior review minolta cle leica analogue analog istanbul türkiye turkey
Minolta CLE | Laowa 15mm 5.0 M | f/8.0
fuji fujifilm 100 superior review minolta cle leica analogue analog istanbul türkiye turkey
Minolta CLE | Voigtländer VM 40mm 1.4 | f/5.6
fuji fujifilm 100 superior review minolta cle leica analogue analog istanbul türkiye turkey
Minolta CLE | Voigtländer VM 40mm 1.4 | f/2.8
fuji fujifilm 100 superior review minolta cle leica analogue analog istanbul türkiye turkey
Minolta CLE | Voigtländer VM 40mm 1.4 | f/11

Continue reading Analogue Adventures – Part 32: Fuji 100