Under the label Fujichrome, Fujifilm is still selling several types of slide film and one of those is Velvia 100. Let’s have a look at some pictures taken with this film under varying conditions.
Processing (E-6) and scanning (Noritsu) was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 39: Fujichrome Velvia 100
So far I have only been talking about color-negative film here, so this Kodak Ektachrome 100 was actually the first slide film I exposed. If you don’t know what the differences between color-negative and slide film are, you can have a look here first.
Processing (E-6) and scanning (Noritsu) was done at urbanfilmlab in Germany. Pictures you see in this article are from one roll of Ektachrome 100 and a sixth of a roll of 5294 E100.
Continue reading Analogue Adventures – Part 38: Kodak Ektachrome 100 / 5294
Silbersalz35 125T Edition Vivid 500Silbersalz35 is mainly famous for their repacked Kodak Vision3 Cine films, but every now and then they also sell this “Edition Vivid 500 125T Vintage Cinefilm”. Rumors are this is expired Fuji Eterna 500, downrated to ISO125, but there is no way for me to verify that. What I did however, I bought two rolls of this film and here you can find some pictures from the first one.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 36: Silbersalz35 125T Edition Vivid
The nice thing about this series: sometimes very unexpected things happen. A friend from Hong Kong sent me a roll of Eastman Double-X 200 black and white film. The regular readers already know I am not a huge fan of black and white film, but they also know I could never resist using a film I haven’t used before, so here we are. This did not end how I expected it to though.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 35: Kodak Eastman Double-X 200
I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100