Category Archives: Analogue

Analogue Adventures – Part 43: Nikon 35Ti

Nikon 35 Ti

The Nikon 35Ti is a high end compact 35mm analogue camera released in 1993. Let’s have a closer look!

fuji fujifilm fujicolor superia 100 color negative film review analog analogue nikon 35ti
Nikon 35Ti | Fujifilm Superia 100
kodak portra 160 nc analogue nikon 35ti ti compact point and shoot istanbul
Nikon 35Ti | Kodak Portra 160 NC
kodak portra 160 nc analogue nikon 35ti ti compact point and shoot istanbul
Nikon 35Ti | Kodak Portra 160 NC
fuji fujifilm fujicolor superia 100 color negative film review analog analogue nikon 35ti
Nikon 35Ti | Fujifilm Superia 100
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II

Continue reading Analogue Adventures – Part 43: Nikon 35Ti

Analogue Photography: A Personal Journey – Part 2 – Embracing Colours

Nikon F-801s | Colour reversal film | Fujichrome RD
Nikon F-801s | Colour reversal film | Fujichrome RD

Introduction

This is the second part of my article, Analogue Photography – A Personal Journey.

If you haven’t read the first part yet, I recommend doing so — it provides useful background. Here’s the link.
In that article and video, I explained how my journey in photography began, and how certain challenges — along with the mindset of the time — led me to focus on black-and-white photography. This time on embracing colour.

You can see this article as a YouTube video here!

Continue reading Analogue Photography: A Personal Journey – Part 2 – Embracing Colours

Analogue Adventures Part 42: A wedding with Eastman Double-X 200

Kodak Eastman Double-X 200

Some of you may remember the last time I shot Kodak Double-X, which was completely mouldy and gave very interesting results. I had another roll and kept thinking what I could possibly do with it. When a friend got married I decided that it was the right opportunity to get this film out and create some special pictures with it. 
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film which was exposed as ISO 125.

kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Nikon AF-S 58mm 1.4G | f/1.4
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Nikon AF-S 58mm 1.4G | f/1.4
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Nikon AF-S 58mm 1.4G | f/1.4
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Nikon AF-S 58mm 1.4G | f/1.4
kodak eastman double x dx 200 expired black white bw sw schwarz weiss weiß nikon f80 sigma
Nikon F80 | Eastman Double-X | Nikon AF-S 58mm 1.4G | f/1.4

Continue reading Analogue Adventures Part 42: A wedding with Eastman Double-X 200

Analogue Photography – Part 1: A Personal Journey into Film Photography 1/2

Canon A1 | Black & White Negative film | Agfapan 400

With the growing interest in analogue photography, as Bastian so inspiringly explores in his Analogue Adventures, I too have decided to create a series of film-related articles. I’ve chosen not to use the same title, as my own relationship with film photography goes back to a time when it was simply photography to me. While Film Photography would feel like the most natural title, I’ve decided to go with Analogue Photography instead, to keep a sense of continuity with Bastian’s series.

Canon A1 | Black & White Negative film | Agfa Isopan
Canon A1 | Colour negative film | Fujicolor
Canon A1 | Black and White Negative film | Agfapan 400
Canon A1 | Black & White Negative film | Kodak Tri-X 400

Continue reading Analogue Photography – Part 1: A Personal Journey into Film Photography 1/2

Analogue Adventures – Part 41: Fujichrome Velvia 50

Fujichrome Velvia 50

Fujichrome Velvia 50 is one of the few slide films still in production. Many people swear by it for its punchy colors and superior image quality. Is that all true? Let’s have a closer look to find out.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.

review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Fujichrome Velvia 50 | E-6
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Fujichrome Velvia 50 | E-6
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/5.6 | Fujichrome Velvia 50 | E-6
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | f/0.95 | Fujichrome Velvia 50 | E-6
Leica M6 | Voigtländer VM 21mm 3.5 Color-Skopar | f/8.0 | Fujichrome Velvia 50 | E-6
Leica M6 | Voigtländer VM 21mm 3.5 Color-Skopar | f/8.0 | Fujichrome Velvia 50 | E-6

Continue reading Analogue Adventures – Part 41: Fujichrome Velvia 50