Category Archives: Analogue

Analogue Photography: Part 5 – Kodak ColorPlus 200 at Nostalgic Car Show

Introduction

In my previous articles, I explored two of the most classic and iconic black-and-white films: Kodak Tri-X and Ilford HP5 Plus. Now I turn my eye to a classic colour negative stock — Kodak ColorPlus 200.

This film is said to be based on an older emulsion technology, one tracing back to the 1970s and 1980s (Kodacolor II / Kodacolor VR). That actually makes it older than Kodak Gold, which many already consider to have a vintage look. So this one should offer an even more vintage feel. Let’s have a look at the images.

Continue reading Analogue Photography: Part 5 – Kodak ColorPlus 200 at Nostalgic Car Show

Analogue Adventures – Part 47: Tübingen

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4

Tübingen is a nice town about 40 km south of Stuttgart in southern Germany. If you are a regular reader you will surely have come across pictures taken there in one of my reviews. This time I was only using a film camera and various films from the golden to the blue hour.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4

Continue reading Analogue Adventures – Part 47: Tübingen

Analogue Photography: Part 4 – Ilford HP5 Plus at a Historical Engine Factory

Introduction

After getting back into film and starting the Analogue Photography series with the iconic Kodak Tri-X, I turned to its European counterpart for this round — the equally legendary Ilford HP5 Plus. Long favored by press photographers, photojournalists, and enthusiasts who needed a reliable workhorse, HP5 Plus has earned its reputation as a versatile and forgiving black-and-white film.

For this installment, I chose a location much older than the film stock itself — a historic engine factory that felt like the perfect match: the Pythagoras Hot-Bulb Engine Factory.

Engine operator Kent-Peder Stiggel
Machine details A
Drilling tool and the factory

Continue reading Analogue Photography: Part 4 – Ilford HP5 Plus at a Historical Engine Factory

Analogue Adventures – Part 46: Fujichrome Provia 400F (expired)

Fujichrome Provia 400F

I already had a look at Fujichrome Provia 400x and this time we will have a look at its predecessor, Provia 400F, another “half-Tungsten” higher ISO slide film.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.

fuji fujifilm fujichrome slide film provia 400f wasen wiesen kirmes frühlingsfest review nikon f analogue film hamburg germany f80 nikon af-s 20mm 1.8G
Nikon F80 | Provia 400F | Nikon AF-S 20mm 1.8G
fuji fujifilm fujichrome slide film provia 400f wasen wiesen kirmes frühlingsfest review nikon f analogue film hamburg germany f80 nikon af-s 20mm 1.8G
Nikon F80 | Provia 400F | Nikon AF-S 20mm 1.8G
fuji fujifilm fujichrome slide film provia 400f wasen wiesen kirmes frühlingsfest review nikon f analogue film hamburg germany f80 nikon af-s 20mm 1.8G
Nikon F80 | Provia 400F | Nikon AF-S 20mm 1.8G
fuji fujifilm fujichrome slide film provia 400f wasen wiesen kirmes frühlingsfest review nikon f analogue film hamburg germany f80 nikon af-s 20mm 1.8G
Nikon F80 | Provia 400F | Nikon AF-S 20mm 1.8G
fuji fujifilm fujichrome slide film provia 400f wasen wiesen kirmes frühlingsfest review nikon f analogue film hamburg germany f80 nikon af-s 20mm 1.8G
Nikon F80 | Provia 400F | Nikon AF-S 20mm 1.8G

Continue reading Analogue Adventures – Part 46: Fujichrome Provia 400F (expired)

Analogue Adventures – Part 45: Fujichrome Provia 400X (expired)

Fujichrome Provia 400X

In 2025 no one makes slide film faster than ISO100 anymore, but that wasn’t always the case. Back in the day there were several different higher ISO options available and Fujichrome Provia 400x seems to have been one of the more popular ones. As it went out of production a long time ago, today people pay up to 40 bucks for a single roll, so let’s see what it is all about.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.

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Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/2.0
ms-optics ms-optical aporia apora pancake smallest lens world's leica m10 24mp 42mp review sharpness bokeh vignetting
Leica M6 | MS-Optics 24mm 2.0 Aporia | Provia 400x | f/2.8
ms-optics ms-optical aporia apora pancake smallest lens world's leica m10 24mp 42mp review sharpness bokeh vignetting
Leica M6 | MS-Optics 24mm 2.0 Aporia | Provia 400x | f/2.0
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/0.95
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/0.95
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/0.95

Continue reading Analogue Adventures – Part 45: Fujichrome Provia 400X (expired)