Category Archives: Analogue

Analogue, Color Reversal (slides), MS-Optics

Analogue Adventures – Part 45: Fujichrome Provia 400X (expired)

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Fujichrome Provia 400X

In 2025 no one makes slide film faster than ISO100 anymore, but that wasn’t always the case. Back in the day there were several different higher ISO options available and Fujichrome Provia 400x seems to have been one of the more popular ones. As it went out of production a long time ago, today people pay up to 40 bucks for a single roll, so let’s see what it is all about.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.

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Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/2.0
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Leica M6 | MS-Optics 24mm 2.0 Aporia | Provia 400x | f/2.8
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Leica M6 | MS-Optics 24mm 2.0 Aporia | Provia 400x | f/2.0
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/0.95
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/0.95
review slrmagic hyperprime lm T0.95 leica m 50mm 0.95 lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignettingreview canon leica m 50mm 0.95 tv dream lens lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M6 | SLRmagic 50mm 0.95 Hyperprime | Provia 400x | f/0.95

Continue reading Analogue Adventures – Part 45: Fujichrome Provia 400X (expired) →

Analogue

Analogue Adventures – Part 44: Kodak Elite Chrome 200 (expired)

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Kodak Elite Chrome 200

Kodak Elite Chrome 200 is a daylight slide film that has been discontinued in 2011. Let’s have a closer look.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll that has been exposed as ISO160.

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Nikon FM2n | Nikon 50mm 1.8 Series E | f/1.8 | Elite Chrome 200 | E-6
nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 50mm 1.8 Series E | f/1.8 | Elite Chrome 200 | E-6
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Nikon FM2n | Nikon 50mm 1.8 Series E | f/1.8 | Elite Chrome 200 | E-6
Nikon FM2n | Nikon 50mm 1.8 Series E | f/5.6 | Elite Chrome 200 | E-6
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 105mm 1.8 Ai-s | f/5.6 | Elite Chrome 200 | E-6
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 105mm 1.8 Ai-s | f/1.8 | Elite Chrome 200 | E-6

Continue reading Analogue Adventures – Part 44: Kodak Elite Chrome 200 (expired) →

Analogue, B&W Negative

Analogue Photography: Part 3 – A Nostalgic Race and a Suburban Shopping Centre with Kodak Tri-X

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Polished chrome and proud owners – Jaguar XK120 | Kodak 400TX

Introduction

As promised in my previous analogue articles, “Analogue Photography – A Personal Journey Part 1 and Part 2”, I’ve started shooting with film again and will be sharing the results from each roll in this series.

The pictures you see in this article all come from a single roll of Tri-X, shot at ISO 400 and developed and scanned by bildskanning.com in Sweden.

You can see this article as a YouTube video here!

For the first instalment, I wanted to begin with one of the oldest and most classic black-and-white films available: Kodak Tri-X. It’s a cornerstone of analogue photography, used for generations by renowned photographers. Tri-X first appeared in the 1940s as a sheet film rated at ASA 200, and since 1954 it has been available in 35mm and 120 roll formats at ISO 400.

Continue reading Analogue Photography: Part 3 – A Nostalgic Race and a Suburban Shopping Centre with Kodak Tri-X →

Analogue, Nikon, Review

Analogue Adventures – Part 43: Nikon 35Ti

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Nikon 35 Ti

The Nikon 35Ti is a high end compact 35mm analogue camera released in 1993. Let’s have a closer look!

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Nikon 35Ti | Fujifilm Superia 100
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Nikon 35Ti | Kodak Portra 160 NC
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Nikon 35Ti | Kodak Portra 160 NC
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Nikon 35Ti | Fujifilm Superia 100
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Nikon 35Ti | Fujifilm Neopan 100 Acros II
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Nikon 35Ti | Fujifilm Neopan 100 Acros II

Continue reading Analogue Adventures – Part 43: Nikon 35Ti →

Analogue

Analogue Photography: A Personal Journey – Part 2 – Embracing Colours

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Nikon F-801s | Colour reversal film | Fujichrome RD
Nikon F-801s | Colour reversal film | Fujichrome RD

Introduction

This is the second part of my article, Analogue Photography – A Personal Journey.

If you haven’t read the first part yet, I recommend doing so — it provides useful background. Here’s the link.
 In that article and video, I explained how my journey in photography began, and how certain challenges — along with the mindset of the time — led me to focus on black-and-white photography. This time on embracing colour.

You can see this article as a YouTube video here!

Continue reading Analogue Photography: A Personal Journey – Part 2 – Embracing Colours →