As second lens for their “Ksana” series Thypoch decided to release a compact 35mm 2.0 M-mount lens with black paint finish. These Ksana lenses feature vintage coatings – to create a distinct color signature – but are otherwise modern designs. The Thypoch 21mm 3.5 Ksana proved to be a capable yet compact lens, will this Thypoch 35mm 2.0 Ksana follow its footsteps? Let’s find out in this review! This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Choose the right lens for your Sony Alpha with the help of our independent knowledge gained by writing many in-depth reviews.
We have an in-depth knowledge of many of the lenses listed here not only because we have used them, but also because we have reviewed many of them in detail. We are also independent from any lens manufacturer and when you check our reviews you will see that we do not hesitate to name any shortcomings of a lens.
We will also talk about lens aberrations, if you don’t know too much about these terms maybe have a look at our article Lens aberrations explained first.
Originally the idea of this guide was to include all available fullframe E-mount lenses. The number of fullframe E-mount lenses has significantly grown over the years though, so that has become an impossible task.
From now on this article will only include lenses that we find currently recommendable. That will make this article much easier to navigate and read and therefore more valuable. It should also make it easier for us to keep it up to date, as we don’t have to waste a lot of time adding uninteresting or mediocre lenses anymore. I also removed most of the super tele lenses, as we have too little experience with them. The aim is to generally keep this article below 10000 words, which is still a whole lot.
Sigma 20-200mm 3.5-6.3 DG Contemporary on Sony A7rII
You haven’t seen (m)any reviews of superzoom lenses on this blog so far, because traditionally many of those ~10x zoom lenses were either lacking in terms of optical performance (e.g. Sony FE 24-240mm 3.5-5.6 OSS) and/or I personally didn’t find the focal length range particularly useful, often starting at 28mm (e.g. Tamron 28-200mm 2.8-5.6 Di III RXD). Furthermore, if you want to review such lenses properly, it takes a lot of time and effort, equal to reviewing several prime lenses.
With its unique focal length range this Sigma 20-200mm 3.5-6.3 DG Contemporary intrigued me though, but can the performance of such a bold design be any good? I ultimately decided to buy one and see for myself how it performs, so here we are.
We summarize our experience with all the native E-mount and a few legacy lenses in the 85-200mm bracket for the Sony A7/A9/A1 series to give you a compact and independent resource for choosing the best portrait lens for your needs.
Unlike most other review sites we have no association with any lens manufacturer apart from occasionally loaning a lens for a review. No fancy trips and meals.
Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market.
If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.
If you purchase the lens through one of the affiliate-links in this article we get a small compensation with no additional cost to you.
Last update: May 2026, Meike 85mm 1.4 FF STM added, Viltrox AF 85mm 1.4 Pro added, Viltrox AF 85mm 2.0 Evo added, Sigma 135mm 1.4 DG Art added, Laowa 200mm 2.0 AF C-Dreamer added, Sigma 200mm 2.0 DG OS Sports added, Zeiss Otus 100mm 1.4 added, many additional changes
By mid 2026 we have seen a lot of lenses from the Chinese manufacturers: some with class leading optical performance, some with unique specifications, some very affordable. There is one thing we haven’t seen yet though (at least not that I can recall): an autofocussing zoom lens. I would have first expected a lens like that from Viltrox, Laowa or 7Artisans, but it is Thypoch – so far specialized in all manual M-mount lenses – bringing a lens like this to the market: the Thypoch 24-50mm 2.8 Voyager. Did they succeed in designing a lens like this, or was it too ambitious? Let’s find out together in this review!
Sony α | Leica M | Nikon Z/F New articles every week
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