Category Archives: lenses

Review: Nikon AF-S NIKKOR 50mm f/1.8G

Introduction

Nikon AF-S Nikkor 50mm f/1.8G review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
AF-S Nikkor 50mm f/1.8G on Nikon Z7II Mirroless Camera

The Nikon AF-S Nikkor 50mm f/1.8G, a popular full-frame standard lens, and an equally popular portrait lens on an APS-C camera, is the last 50mm lens designed and made by Nikon with the Nikon F mount in 2011. Thus, Nikon had put all its knowledge, technology, and experience from decades of producing 50mm lenses in F mount into making this lens. The optical design was new by then and it was the first Nikon 50mm lens with an aspherical lens element, not even the much more expensive Nikkor 50/1.4G had such an element (58mm lenses not counted). Nikon did not make much fuss about this lens as they did not want to undermine the market for the much more expensive 50/1.4G. The price was set to just over $200 new and I see that you can buy a used one for under $100 today. It should be a bargain for such a fast lens, if it is good. Let’s see about it!

The lens was tested on 46 Mp FF Nikon Z7II, 24 Mp FF Nikon Z6, and 24 Mp APS-C Nikon D7200 cameras.

Sample Images

Nikon AF-S Nikkor 50mm f/1.8G review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9 D7200 D750 D600 D800 D7500
Nikon Z6 | AF-S Nikkor 50mm f/1.8G | f/1.8
Nikon AF-S Nikkor 50mm f/1.8G review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9 D7200 D750 D600 D800 D7500
Nikon Z6 | AF-S Nikkor 50mm f/1.8G | f/1.8
Nikon AF-S Nikkor 50mm f/1.8G review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9 D7200 D750 D600 D800 D7500
Nikon Z6 | AF-S Nikkor 50mm f/1.8G | f/1.8
Nikon AF-S Nikkor 50mm f/1.8G review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9 D7200 D750 D600 D800 D7500
Nikon Z6 | AF-S Nikkor 50mm f/1.8G | f/1.8

Continue reading Review: Nikon AF-S NIKKOR 50mm f/1.8G

Review: Leica 50mm 0.95 Noctilux-M Asph

Introduction

leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica 50mm 0.95 Noctilux-M Asph on Leica M10

For one decade (2008-2018) the Leica 50mm 0.95 Noctilux-M Asph was Leica’s most expensive M-mount lens and it is still the fastest lens in their line up to this day.
Now in 2023 there are many f/0.95 lenses from China available for your mirrorless camera of choice, but in 2008 – when most people were using (D)SLRs – this was a unique offering and something you could only find in the M-system.
But is this lens (still) worth the asking price? Let’s try to find out.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.

This lens is also part of my Comparison of 6 Super Fast 50mm M-mount Lenses together with the Zhong Yi 50mm 0.95 M, the Voigtländer VM 50mm 1.0 Nokton, MS-Optics 50mm 1.0 ISM, Mr. Ding 50mm 1.1 and Voigtänder VM 50mm 1.2 Nokton.

Sample Images

leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica M10 | Leica 50mm 0.95 | f/0.95
leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica M10 | Leica 50mm 0.95 | f/0.95
leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica M10 | Leica 50mm 0.95 | f/0.95
leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica M10 | Leica 50mm 0.95 | f/0.95
leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica M10 | Leica 50mm 0.95 | f/0.95
leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review
Leica M10 | Leica 50mm 0.95 | f/2.0

Continue reading Review: Leica 50mm 0.95 Noctilux-M Asph

Review: 7Artisans 9mm 5.6

Introduction

7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9
7Artisans 9mm 5.6 on Sony A7rII

While the Laowa 9mm 5.6 FF-RL is one of my favorite lenses, I am very well aware that a 9mm fullframe lens is not for everyone and most certainly a niché lens, which is why I was very much surprised to see 7Artisans offering their own 9mm 5.6 lens. Who makes the better 9mm 5.6? Let us try to find out in this review!

The optical and most of the mechanical construction of this 7Artisans 9mm 5.6 lens is identical to the Brightin Star 9mm 5.6, which features an additional rear filter thread, so be sure to check out its review as well.

Sample Images

7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9
Sony A7III | 7Artisans 9mm 5.6 | f/8.0
7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9
Sony A7III | 7Artisans 9mm 5.6 | f/11
7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9
Sony A7III | 7Artisans 9mm 5.6 | f/8.0
7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9
Sony A7III | 7Artisans 9mm 5.6 | f/8.0
7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9
Sony A7III | 7Artisans 9mm 5.6 | f/8.0

Continue reading Review: 7Artisans 9mm 5.6

Analogue Adventures – Part 26: Kodak Portra 800 ECN-2

kodak portra 800 analogue leica m6 contax canon fd olympus om
Kodak Portra 800

In 2023 Kodak Portra 800 is the fastest (or rather most sensitive) color negative film that is still in production. Ever since using that awful Cinestill 800T I was curious what results from a real ISO 800 color film will look like, so here we are.
Exposed as ISO400. Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.

kodak portra 800 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 Aporia | f/11 | Portra 800 ECN-2
kodak portra 800 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 Aporia | f/11 | Portra 800 ECN-2
kodak portra 800 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 Aporia | f/11 | Portra 800 ECN-2
kodak portra 800 analogue leica m6 contax canon fd olympus om
Leica M6 | Laowa 15mm 2.0 | f/2.0 | Portra 800 ECN-2
kodak portra 800 analogue leica m6 contax canon fd olympus om
Leica M6 | Voigtländer VM 40mm 1.4 MC | f/1.4 | Portra 800 ECN-2

Continue reading Analogue Adventures – Part 26: Kodak Portra 800 ECN-2

Review: Minolta/MS-Optics 40mm 1.7 Rokkor-QF

Introduction

review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Minolta/MS-Optics 40mm 1.7 Rokkor-QF on Leica M10

In 1971 – two years before the Leitz/Minolta CL with its 40mm 2.0 lens – Minolta released the Hi-Matic E, a compact fixed lens 35mm rangefinder camera with a 40mm 1.7 Rokkor-QF lens.
While this lens is manual focus its aperture is being controlled electronically, which is why it is very difficult to turn it into an interchangeable lens that can be used on other cameras.
There might be only one person crazy enough to salvage the lens elements from such a Hi-Matic E camera, design a new housing for them and adding a manually controlled aperture diaphragm and that is Miyazaki Sadayasu from MS-Optics.
I came across one of these rare lenses in a small camera shop in Hong Kong and as this was a bit of a “once in a lifetime opportunity” I bought it without really knowing what I am getting myself into, so here we are.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.

Sample Images

review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Minolta/MS-Optics 40mm 1.7 | f/1.7
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Minolta/MS-Optics 40mm 1.7 | f/1.7
Leica M10 | Minolta/MS-Optics 40mm 1.7 | f/5.6
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Minolta/MS-Optics 40mm 1.7 | f/1.7
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Minolta/MS-Optics 40mm 1.7 | f/1.7
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Minolta CLE | Minolta/MS-Optics 40mm 1.7 | f/1.7 | 500T
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Minolta/MS-Optics 40mm 1.7 | f/1.7

Continue reading Review: Minolta/MS-Optics 40mm 1.7 Rokkor-QF