Category Archives: Sony E-mount

Review: Sony FE 1.8/50 (SEL50F18F)

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The new Sony FE 1.8/50 is the second more affordable lens after the FE 2/28 which I liked a lot. Has Sony created another winner?

Sample Images

Sony FE 1.8/50 | f/11 | Sony a7 | full resolution
Sony FE 1.8/50 | f/11 | Sony a7 | full resolution
Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution
Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution
Sony FE 1.8/50
Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution
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Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution

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Review: Voigtlander 15mm 4.5 E Super Wide Heliar

Introduction

Sony A7s with Voigtländer 15mm 4.5 Super Wide Heliar E Aspherical
Sony A7s with Voigtländer 15mm 4.5 Super Wide Heliar E Aspherical

The Voigtländer 15mm 4.5 Super Wide Heliar E aspherical III is the first native E-Mount lens by Voigtlander. As there are three adapted Voigtlander lenses in my basic A7s-kit  – see my reviews – I simply had to try this one out!
Last Update:
Review finised (new Sample images, Use for astrophotography and Conclusion added)  (05/10/16)

Sample Images

schloss solitude stuttgart castle chateau mercedes voigtlander 15mm 4.5 sony e mount super wide heliar
Sony A7s | Voigtländer 15mm 4.5 SWH E | f/11 | full resolution
voigtlander 15mm 4.5 super wide heliar voigtländer sony a7s astro astrophotography astroscape coma milkyway milky way star stars
Sony A7s | Voigtländer 15mm 4.5 SWH E | f/4.5 | ISO6400 | 30s | higher resolution

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Review: Zeiss Loxia 35mm 2.0 T* Biogon

Introduction

Sony A7s with Zeiss Loxia 35mm 2.0
Sony A7s with Zeiss Loxia 35mm 2.0

The Zeiss Loxia 35mm 2.0 Biogon is one of Zeiss’ manual focus lenses specifially designed for E-mount cameras. The modern design, the aperture “de-click” feature and the transfer of Exif-data sets it apart from adapted lenses. Read on to learn how it fares optically.
Update: conlusion updated (06/05/2016)

Sample Images

sunstars zeiss loxia 35mm 2.0 fe e blue hour vernazza italy cinque terre sony a7s
Sony A7s | Zeiss Loxia 35mm 2.0 | f/11 | panorama from 5 shots | higher resolution
close up zeiss loxia 35mm 2.0 bokeh blossom kirschblüte cherry sony a7s
Sony A7s | Zeiss Loxia 35mm 2.0 | f/2 | full resolution
architecture loxia zeiss 35mm 2,0 biogon sony a7s
Sony A7s | Zeiss Loxia 35mm 2.0 | f/2 | full resolution

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Review: Zeiss Loxia 2.8/21 Distagon T*

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Since the introduction of the Contax Distagon 2.8/21 in the early 1990’s, the 21mm lenses from Zeiss have a long and glorious history of being some of the best wide angle lenses in the world. While the Loxia 2.0/35 and the Loxia 2.0/50 are refined ZM-Designs, the Zeiss Loxia 2.8/21 is the first Loxia lens that features a new optical design. Lets have a look if the Loxia 2.8/21 can keep the heritage alive.
31/05/17 Update by Bastian: I have been using this lens regularly for a year now and Jannik asked me if there is anything I would like to contribute to his review, so I added a few notes and sample images.

Sample Images

Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II
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Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II | Full Size
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Zeiss Loxia 2.8/21 | f/2.8 | ISO 100 | Sony A7R

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Review: Voigtländer 12mm 5.6 Ultra Wide Heliar

Introduction

ultra wide heliar a7 series 12mm 5.6
Sony A7s with Voigtländer Ultra Wide Heliar 12mm 5.6 and VM-E close focus adapter (Helicoid)

The Voigtländer 12mm 5.6 Ultra Wide Heliar is actually one of the lenses I bought a camera from the A7 series for in the first place. It is worth to mention though, I am reviewing the old M39 version here. The newer Leica M version is optically the same, although there are other differences – apart from the lens mount – which I will talk about at the end of this review.

Sample Images

castle mannheim a7s 12mm 5.6 voigtländer ultra wide heliar
Sony A7s | Voigtländer Ultra Wide Heliar 5.6/12 | f/11 | full resolution
maulbronn monastery unesco world heritage 12mm 5.6 voigtländer a7s
Sony A7 | Voigtländer Ultra Wide Heliar 5.6/12 | f/11 | full resolution
abstract disneyland 12mm 5.6 ultra wide heliar voigtländer sony a7s
Sony A7s | Voigtländer Ultra Wide Heliar 5.6/12 | f/8

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