Sigma 35mm 1.2 DG DN Art | Viltrox AF 35mm 1.2 FE LAB | Samyang 35mm 1.2 XP | Laowa 35mm 0.95 Argus | Voigtländer VM 35mm 1.2 Nokton III
35mm are the favorite focal length of many reportage, event and wedding photographers. In the last years we saw boundaries being pushed as we can now choose from f/1.2 lenses with autofocus and manual focus lenses that even offer a maximum aperture of f/0.95. I gathered five recent ones of these super fast 35mm lenses with maximum apertures ranging from f/0.95 to f/1.2 and will compare them, to give you an idea which might work best for your needs.
UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.
The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.
While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.
The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs
Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.
In the SLR era some people came up with the term “pancake lens” for very thin 40 to 50mm lenses. Because of the short back focus distance of mirrorless cameras it is very hard to make actually useful lenses for them that are as thin as a pancake though, hence Laowa came up with the term “cookie lens”. This does not only sound more realistic but also pretty cute and the latest addition to this cookie line-up is this Laowa 15mm 5.0. Usually new features are reserved for expensive top-of-the-line products, but this lens already marks a very important point in Laowa’s history. Let’s have a closer look!
The lens was tested on a 42 Mp Sony A7 RII (Sample images with Sony A7 III, Leical M10, and Nikon Zf)
In 2022 Laowa released the world’s fastest 28mm lens for fullframe cameras, the Laowa 28mm 1.2 Argus. If you thought they rested on their laurels you are mistaken: in 2024 they released an even faster lens, this Laowa 28mm T1.0 Argus Cine. Usually I don’t review Cine lenses, but how could I possibly pass on the world’s fastest 28mm fullframe lens? Let’s have a closer look!
In 2024 no one really knows anymore what is going on at Fujifilm when it comes to actual analogue film. Apparently the Fujifilm 200 that is being sold in the US is just relabeled Kodak Gold 200 – something absolutely unthinkable of just a few years ago. This Fuji 100 I received from a reader (Thanks a lot!) has been bought directly from Japan though, so it looks like the real deal, let’s have a look at the results together. Processing (C.41) and scanning was done at urbanfilmlab in Germany.
Minolta CLE | Voigtländer VM 40mm 1.4 | f/2.8Minolta CLE | Laowa 15mm 5.0 M | f/8.0Minolta CLE | Voigtländer VM 40mm 1.4 | f/5.6Minolta CLE | Voigtländer VM 40mm 1.4 | f/2.8Minolta CLE | Voigtländer VM 40mm 1.4 | f/11
Sony α | Leica M | Nikon F/Z New article every week
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