In early 2021 Sony released three compact fullframe E-mount lenses and this Sony FE 50mm 2.5 G is the longest of those. While many of the competitors often cut corners with their compact lenses when it comes to build quality, feature set and sometimes also optical quality, Sony decided to go for a different approach here, offering more, but also at a higher price point. Did that pay off? And is there a market for a comparably slow 50mm prime? Let’s find out in this review!
Sample Images
Sony A7III | Sony FE 50mm 2.5 G | f/2.5Sony A7III | Sony FE 50mm 2.5 G | f/8.0Sony A7III | Sony FE 50mm 2.5 G | f/2.5Sony A7III | Sony FE 50mm 2.5 G | f/2.5Sony A7III | Sony FE 50mm 2.5 G | f/2.5
UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.
The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.
While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.
The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs
Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.
When it comes to standard zoom lenses, Sony offers a lot of interesting options. For those most interested in a wide zoom range the Sony FE 20-70mm 4.0 G might be the most appealing option, but if f/4.0 doesn’t cut it and the 24-70mm 2.8 GM lenses are too big and/or too expensive, Sony also has a solution: this Sony FE 24-50mm 2.8 G. Can its optical performance keep up with the GM zooms? Let’s find out in this review!
Sample Images
Sony A7III | Sony FE 24-50mm 2.8 G | 50mm | f/2.8 | polarizerSony A7III | Sony FE 24-50mm 2.8 G | 24mm | f/8.0 | polarizerSony A7III | Sony FE 24-50mm 2.8 G | 24mm | f/8.0Sony A7III | Sony FE 24-50mm 2.8 G | 35mm | f/2.8Sony A7III | Sony FE 24-50mm 2.8 G | 24mm | f/8.0Sony A7III | Sony FE 24-50mm 2.8 G | 50mm | f/2.8
The Nikon Nikkor Z 85mm f/1.8 S is a short telephoto lens that delivers excellent background blur thanks to its large aperture. While it’s ideal for portrait photography, it can also be effectively used for landscape and street photography, thanks to its relatively wide field of view for a telephoto lens. This professional-grade lens is designed for both professionals and enthusiasts. From 2019 to 2023, it was Nikon’s only 85mm option for professional use on Z cameras, until the introduction of the 85mm f/1.2 S. Let’s take a closer look!
Nikon Zf | Nikon Z 85mm f/1.8 S | f/2Nikon Zf | Nikon Z 85mm f/1.8 S | f/1.8Nikon Zf | Nikon Z 85mm f/1.8 S | f/6.3Nikon Zf | Nikon Z 85mm f/1.8 S | f/1.8Nikon Zf | Nikon Z 85mm f/1.8 S | f/11Nikon Zf | Nikon Z 85mm f/1.8 S | f/8
Sony α | Leica M | Nikon F/Z New article every week
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