It has been two months since the second part of this series so some of you might have thought the analogue adventures already terminated, but the truth is “getting things fixed” took way longer than initially expected. So this time let’s have a look at these things and if you can learn anything from my mistakes.
Choose the right lens for your Sony Alpha with the help of our independent knowledge gained by writing many in-depth reviews.
We are a team of five photographers who all use the FE system and this blog is focused on lens reviews. So we have an in-depth knowledge of these lenses not only because we use them all the time but also because we have reviewed many of them in detail. We are also independent from any lens manufacturer and when you check our reviews you will see that we do not hesitate to name any shortcomings of a lens. To easily compare specs check out our Sony FE-list.
We will also talk about lens aberrations, if you don’t know too much about these terms maybe have a look at our article Lens aberrations explained first.
In this article we mainly list lenses which have electronic contacts to communicate aperture and focal length to the camera. There are also quite a few lenses which have an E-mount but no electronic contacts. Most of these are SLR-lenses with a modified mount and we decided against covering these because we think that most of them are not very attractive lenses. We do however cover some of the attractive ones that have been specifically designed for E-mount. Last update: December 2021
It is always possible that some new or exotic lens is missing, we work hard on filling these gaps.
If you purchase the lens or anything else through one of the affiliate-links in this article we get a small compensation with no additional cost to you.
All native full frame lenses for the Sony FE mount
Laowa 5.6/9 FF-RL (manual focus, no electronic contacts)
unrivalled focal length
sharpness and contrast
minimum focus distance
no Exif data
Recommendation: the world’s widest rectilinear lens and a better performer than either Voigtlander 10mm 5.6 E or Laowa 10-18mm 4.5-5.6.
I shot analogue with two cameras in the past, a Nikon F80 and a Nikon FE2.
The F80 is actually a very modern camera which supports AF, VR, matrix metering and a few other things, but the rubber got sticky and I got rid of most of my Nikon lenses quite some time ago, so I have little incentive to use it these days.
The FE2 was better at giving the “analogue” feeling, but some parts of the mechanics are broken as the film advance doesn’t work properly. So on my first and only roll of film with this camera I ended up with a bunch of useless quadruple exposures.
The adventure of analogue photography ended for me here.
Until the day I was strolling through Stuttgart and discovered a camera store displaying a Nikon FM2, FM3a and F3 – all in mint condition and all – at least to my eyes – beautiful cameras. I got the idea of getting one of those, because: why not shoot some film for a change?
35mm is a very popular focal length with a wide range of applications ranging from landscape over astrophotography to environmental portraiture and many consider it the best choice when only using one prime lens. We decided to summarize our experience with all the native E-mount and a few legacy 35mm lenses for the Sony A7 series to give you a compact and independent resource for choosing the best 35mm lens for your needs.
Unlike most other review sites we have no association with any lens manufacturer apart from occasionally loaning a lens for a review. We prefer independence over fancy trips and nice meals.
Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot.
If we have left any question unanswered please leave a comment and we will do our best to answer it.
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