Category Archives: Manufacturers

Review: Konica Hexanon AR 40mm f/1.8

Introduction

Konica Hexanon AR 40mm F1.8 on Nikon Z6
Konica Hexanon AR 40mm F1.8 on Nikon Z6

Konica Hexanon AR 40mm f1.8 is a pancake standard lens, it was shipped as kit lens with Konica SLR cameras during a couple of years in mid and late ’70s. While it is not an actual wide angle lens it is still wider than a normal 50mm lens, which, in my opinion, can be helpful for street photography as it allows to include more of the environment from the same camera to subject distance. It also does so without introducing the perspective distortion of a 35mm wide angle lens with equivalent speed/aperture.
Sometimes it’s hard to explain it but in many situations the 40mm focal length feels just right (i.e. to my taste). When it was introduced some photography magazines considered it the sharpest lens ever produced (for its time that is), there is no hard proofs on that though. You can find it very cheap at about 20-30$. Let’s see if it still is justified to buy this lens today.

Sample Images

Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40mm F1.8 | 5.6

Continue reading Review: Konica Hexanon AR 40mm f/1.8

Review: Samyang AF 24mm 1.8 FE

Introduction

24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Samyang FE 24mm 1.8 AF on Sony A7rII

The earlier Samyang lenses didn’t really impress me: dinky casing, lack of controls and severe issues with sample variation. This Samyang FE 24mm 1.8 AF was the first of a new generation of Samyang AF lenses though: customizable switch, focus hold button, rubber gasket and vastly improved materials. Did they finally hit the mark? Let’s find out in this review!

Sample Image

24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/2.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/5.0
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8

Continue reading Review: Samyang AF 24mm 1.8 FE

Analogue Adventures – Part 17: Kodak Ektar 100 ECN-2 processed

Kodak Ektar 100

Ektar 100 is easily one of my favorite films: low grain, lots of details, lovely colors – simply what I would call high a quality film. Some of you may remember when I exposed a roll of badly expired Ektar, but this time let’s have a look what it can really do.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.

ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.0 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/5.6 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 24mm 2.0 | f/11 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.8 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.0 | Kodak Ektar 100 ECN-2

Continue reading Analogue Adventures – Part 17: Kodak Ektar 100 ECN-2 processed

Review: Laowa 28mm 1.2 FFII Argus – The world’s fastest 28mm lens

Introduction

laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Laowa 28mm 1.2 FFII Argus on Sony A7rII

Laowa was already responsible for releasing the world’s fastest 35mm lens and now they are back doing the same for the 28mm focal length. This time it isn’t f/0.95, but f/1.2 at 28mm – in a more compact package – is just as impressive, especially when most manufacturers seem to have neglected the 28mm focal length altogether. But is it only impressive on paper or does it also deliver in the field? Let’s find out in this review.

Sample Images

laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/2.0
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2 | Glimmerglass1
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2

Continue reading Review: Laowa 28mm 1.2 FFII Argus – The world’s fastest 28mm lens

Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed

kodak gold 200 analogue leica m6 contax canon fd olympus om
Kodak Gold 200

Kodak Gold 200 again? Hasn’t there been an article covering this film already? Yes, but the Silbersalz35 guys started offering a new lab service in 2022 for developing some of the popular C-41 still photography films with the more complex ECN-2 process. But is it a good idea? I wanted to find out, I received the scans, so let’s have a look together.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Update May 2023: more pictures added

kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 | f/8.0 | Kodak Gold 200 ECN-2
kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 | f/2.0 | Kodak Gold 200 ECN-2
kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 | f/11 | Kodak Gold 200 ECN-2
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M6 | Hologon 16mm 8.0 | Kodak Gold 200 ECN-2
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Minolta CLE | Minolta/MS 40mm 1.7 | f/8.0 | Gold 200 ECN-2
Voigtländer Cosina 40mm 1.4 1.4/40 mc multi coated sc single comparison review leica m10 m11 m10r sony a7rv a7riv 61mp 42mp 24mp sharpness resolution handling build quality
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/8.0 | Gold 200 ECN-2

Continue reading Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed