The Zeiss ZM 18mm 4.0 Distagon is the second widest lens of the ZM family and one of the few 18mm M-mount lenses. Is 18mm being an unpopular focal length among Leica users the reason this lens has already been discontinued or is it because of its optical qualities? Let’s find out in this review.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
I have mainly been using Kodak films so far, but one day a local store had some stock of Fujifilm 200 available, so of course I bought a roll. During the film era it was a fierce competition between Kodak and Fujifilm, but these days the situation is a bit different it seems…
Continue reading Analogue Adventures – Part 13: Fujifilm 200
The Zeiss ZM 35mm 1.4 T* Distagon has often been referred to as being one of the best 35mm lenses available, combining high sharpness as well as microcontrast and smooth bokeh in a small yet very pricey package. But is this still the case in 2023?
Update March 2023: general update
Classic rangefinder lenses usually spot less staggering minimum focus distances compared to (D)SLR and the latest lenses for mirrorless cameras because of how focusing with rangefinder cameras works. In 2022 several manufacturers are offering close focus adapters. These adapters have their own additional helicoid which allows you to focus your lenses much closer than you could with a conventional adapter. I have used several of these myself, so let’s see which ones are worth the asking price.
The MS-Optical 50mm 1.1 Sonnetar is probably Miyazaki’s most famous lens. While it wasn’t his first lens it was to my knowledge the first one that was produced in “greater” quantities and widely recognized across the globe.
As is still typical today for his lenses it is small, fast and quirky, so let us have a closer look…
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Last Update: February 2023
