7Artisans are definitely busy with releasing new fullframe lenses and the latest addition is this 15mm 4.0 ultra wide angle lens. At first sight you may think this is a rebranded NiSi 15mm 4.0, because it shares focal length, maximum aperture and even its size is similar, but I can assure you this is not the case. So let’s find out which one is the better affordable 15mm lens.
Tamron made a big impression on the market when they launched their SP 90mm F/2.5 back in 1979. Small, flexible and very sharp. It is originally designed for 35mm cameras (full-frame) but can also be used on APS-C cameras with an equivalent focal length of 135mm. It is a classic dual purpose 90mm macro lens. The lens manages to do a 1:2 magnification, almost macro and many call it for a macro lens although Tamron themselves did not do that and only talked about it as “a medium telephoto portrait lens”. (They called the previous versions, also with 1:2 magnification, “tele-macro” though.) Anyhow, it has long been the general opinion that it has very good close-up capabilities and it can do 1:1 macro with some help as we will see. It is also very suitable for use as a portrait lens at normal distances. The lens has been updated several times since its first release and changed look and optical formula during over 40 years of its existence. Each new version could have an additional feature, improved optical performance, just a cosmetic update, or a combination of them. We are going to look at the first AF version of this lens from 1990.The lens has been made with native mounts for Nikon F, Pentax K and Minolta/Sony A. I test a Nikon mount lens mostly on a FF mirrorless Nikon Z6 and APS-C DSLR Nikon D7200 (F mount) but I also include images taken with FF DSLR Nikon D600 (also F mount).
Sample Images
Nikon D600 | Tamron AP AF 90mm f/2.5 | 2.5 Nikon D600 | Tamron AP AF 90mm f/2.5 | 7.1 | Focus stacked from 11 images Nikon D600 | Tamron AP AF 90mm f/2.5 | 3.3
Voigtlander VM 75mm 1.5 via TTArtisan M->E 6-bit adapter on Sony A7rII
Since I bought my first E-mount camera seven years ago I have been using adapted M-mount lenses. Missing Exif data have always been a nuisance though and while the “Lens Compensation” camera app was a ray of hope, it didn’t exactly work all that well.
Now TTArtisan came up with a product which I have pitched to so many manufacturers before: a semi programmable Leica-M to Sony-E/Nikon-Z adapter. Let’s have a closer look! Update August 2024: more information on the version for Nikon Z-mount (affiliate link) added
There are plenty of great lenses available for fullframe E-mount cameras in the 20mm range, but it is said among those this Sony FE 20mm 1.8G is an outstanding, well-balanced highlight. A review was long overdue, so here we go.
Sample Image
Sony A7III | Sony FE 20mm 1.8G | f/1.8Sony A7III | Sony FE 20mm 1.8G | f/1.8Sony A7III | Sony FE 20mm 1.8G | f/8.0Sony A7III | Sony FE 20mm 1.8G | f/2.8Sony A7III | Sony FE 20mm 1.8G | f/1.8
Photokina in 2016 was the first time I saw the Laowa 15mm 2.0 Zero-D for Sony E-mount, I bought it as soon as it was available and have used it since. Already at that time there was talk about the lens being released for M-mount but it never happened and admittedly I kinda forgot about it.
But what happened at CP+ 2023? We see an M-mount version of the Laowa 15mm 2.0 Zero-D. And for M-mount it might be even more spectacular, pushing the boundaries of the system quite a bit. So let’s see what has changed compared to the Sony version! Lens is being reviewed on Sony A7rII and Leica M10
Sample Images
Leica M10 | Laowa 15mm 2.0 M | f/11Minolta CLE | Laowa 15mm 2.0 M | f/2.0 | Ektar 100 | Push +1Leica M10 | Laowa 15mm 2.0 M | f/5.6Leica M10 | Laowa 15mm 2.0 M | f/11
Sony α | Leica M | Nikon F/Z New article every week
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