The MS-Optics 17mm 4.5 Perar is Miyazaki’s widest M-mount lens so far and thanks to a reader I got the chance to have a closer look at it. I like very small lenses, I like ultra wide lenses, so nothing can go wrong here, right?
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Affordable yet compact cine lenses are a big and interesting market for new lens manufacturers these days, but only few of these lenses cover the whole fullframe area. The guys at 7Artisans decided to enter the market with their Spectrum Cine lens line up consisting of a 35mm, 50mm and 85mm lens, all with a T-Stop of 2.0 and shared mechanics. Let’s have a closer look.
Continue reading Review: 7Artisans 35mm 2.0 | 50mm 2.0 | 85mm 2.0 Spectrum Cine lenses
I have already been talking about editing pictures with the help of profiles in the past in the articles How I edit my pictures and Emulating Filmlook. This time I will have a look at the Cobalt Image profiles.
Continue reading Review: Cobalt Image Basic Profiles, Film and Digital Emulations
We rarely review APS-C lenses here, but I already reviewed the Laowa 9mm 2.8 APS-C lens so thought it might still be interesting to have a look at this NiSi 9mm 2.8 APS-C to be able to compare these two.
I already reviewed a few of Miyazaki Sadayasu’s lenses but I had yet to get my hands on his MS-Optics 35mm 1.4 Apoqualia. Thanks to a reader from France I now got the chance and I am very curious what the pictures taken with it will look like and what its quirks are. Let’s discover together in this review.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
