Kodak Elite Chrome 200 is a daylight slide film that has been discontinued in 2011. Let’s have a closer look. Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll that has been exposed as … Continue reading Analogue Adventures – Part 44: Kodak Elite Chrome 200 (expired)
Introduction Inspired by a 19th-century design with a cult following, Lomography has brought the spirit of Joseph Petzval’s optics into the mirrorless era. Over the years, Lomography has released several lenses based on Joseph Petzval’s original 1840s optical designs. The Lomography Petzval 55mm f/1.7 Bokeh Control MKII is the company’s first Art Lens built specifically … Continue reading REVIEW: LOMOGRAPHY Petzval 55mm F/1.7 Bokeh Control Mark II Art Lens
Introduction Sometimes when new lenses are being announced they sound too good to be true and here that was certainly the case: the Sony FE 16mm 1.8 G has a lower MSRP than the already amazingly great Sony FE 20mm 1.8 G while being similarly sized. But not enough: it is “only” 2 mm less … Continue reading Review: Sony FE 16mm 1.8 G
Introduction As promised in my previous analogue articles, “Analogue Photography – A Personal Journey Part 1 and Part 2”, I’ve started shooting with film again and will be sharing the results from each roll in this series. The pictures you see in this article all come from a single roll of Tri-X, shot at ISO … Continue reading Analogue Photography: Part 3 – A Nostalgic Race and a Suburban Shopping Centre with Kodak Tri-X
Introduction Between 2015 and 2016 Cosina released three ultra wide angle lenses for M-mount, the VM 10mm 5.6 Hyper-Wide Heliar, the VM 15mm 4.5 Super-Wide-Heliar III and this VM 12mm 5.6 Ultra-Wide-Heliar III. While the 10mm and 15mm are still in production 10 years later, this 12mm has been discontinued after 3 years only. What … Continue reading Review: Voigtländer VM 12mm 5.6 Ultra-Wide-Heliar MK III