Introduction Could the Nikon Z 24–200mm f/4–6.3 be the only lens you really need? After reviewing the Nikon Z 24–70mm f/4 S and the Nikon Z 24–120mm f/4 S, several readers asked if I could also take a look at this superzoom. I said that if there was enough interest—and if I could get my … Continue reading Review: Nikon Z 24-200mm f/4-6.3
Introduction In late 2021 I decided to buy an analogue camera and shoot some film, an experiment whose results I constantly shared with you. In the meantime I exposed around 60 films, which I all had developed and scanned and many of these pictures we also discussed afterwards. This is is already the 50th part … Continue reading Analogue Adventures – Part 50: What I learned from Shooting Film (so far)
Introduction Released in 2019, the 7Artisans 75mm 1.25 was actually one of my favorite 7Artisans lenses so far, especially due to its nice bokeh rendering. Now the 7Artisans are back with this improved and at the same time lighter 75mm 1.25 II. Let’s find out in this review what has changed compared to the predecessor … Continue reading Review: 7Artisans 75mm 1.25 II
Introduction TTArtisan has released three tilt-related lenses to date: a tilt-only 35mm APS-C, a tilt-only 50mm full-frame, and a 100mm tilt-and-shift full-frame — none of which are well suited to architectural photography. This lens changes that: a 17mm full-frame tilt-and-shift with a complex, sophisticated optical and mechanical design. Despite that, it costs just $550. On … Continue reading REVIEW: TTArtisan Tilt-Shift 17mm F4 ASPH.
Introduction Released in 2007, the Nikon AF-S 14-24mm 2.8G was way ahead of its time. It pushed the limits of what can be expected from a very wide f/2.8 ultra wide angle zoom – by a lot actually – and not only rendered a bunch of primes in the 14mm to 24mm range useless, it … Continue reading Review: Nikon AF-S 14-24mm 2.8G – Way ahead of its time