The guys from Silbersalz35 were organizing a small Night Photowalk in Stuttgart and part of the package was one roll of their 500T Vision3 cinefilms that you already know from some of my previous articles. I figured this was a good opportunity to find out how the film holds up being pushed one stop so I decided to pay the entry fee and join.
Processing (ECN-2, Push +1) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 23: Silbersalz35 500T Push +1
By now I am pretty sure all of you have already heard of ChatGPT, Midjourney or any of the other artifical intelligences you can now talk to or make use of. Where it got interesting for me, was in early 2023, when Adobe released a Photoshop Beta version with AI features and staggering capabilities. Over the past months I have been using it (for professional work and private stuff) so I wanted to show you some examples where it was useful to me and also how it works.
One thing is for sure, this will vastly disrupt image editing workflows.
You probably know by now I have a soft spot for the tiny MS-Optics lenses, but there are two major issues with them: they are expensive and the manufacturing quality sometimes leaves something to be desired.
I was always wondering: what if some other company with better manufacturing capabilities would design lenses just as compact? I even pitched the idea to several manufacturers: without success.
But now Funleader and Brightin Star teamed up to do exactly that with this 28mm 2.8 XSlim Pro-M. It looks just like an MS-Optics lens and I have been very curious about it since I first heard of it.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Continue reading Review: Funleader x Brightin Star 28mm 2.8 XSlim Pro-M
It is a bit odd that the manufacturers of E-mount lenses seemingly abandoned the 28mm focal length, especially when it comes to AF lenses. The only ones available for the FE system are the mediocre Sony FE 28mm 2.0 and the huge designed-for-DSLR Sigma 28mm 1.4 Art – both released in the early days of the FE system and nothing came since. Until now, as Viltrox is offering an alternative with this 28mm 1.8 AF lens. The recently reviewed Viltrox 16mm 1.8 AF proved to be an astonishingly good lens, will this 28mm lens be similarly good? Let’s find out.
It was my second time in Istanbul and as I already covered many of the “must see” tourist sights the first time I thought it was a good opportunity to shoot some more film this time around. Being less flexible with film it also helped that I already knew what to expect and where to go.
