My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses.
Don't ask me anything about macro or wildlife shooting though.
After buying the Leica M6 I bought whatever films I could find and among those also was an Agfa APX400 black and white film. It was lying in the fridge for more than a year before I finally conviced myself to use it. Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 1 roll.
Minolta CLE | Voigtländer VM 35mm 1.2 III | f/5.6 | APX400Minolta CLE | Voigtländer VM 35mm 1.2 III | f/1.2 | APX400Minolta CLE | Voigtländer VM 40mm 1.4 Nokton Classic | f/1.4 | APX400Minolta CLE | Voigtländer VM 35mm 1.2 III | f/2.8 | APX400
With this 50mm 2.0 Speed Panchro II lens, Light Lens Lab tried to bring the look of the original Cooke SP II to the 35mm format and doing so at an affordable pricepoint – at least compared to what the original lenses are going for on the used market these days.
Before this lens, I never paid any attention to these old cine lenses, that makes it even more interesting to have a closer look at one. This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Sample Images
Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.0Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.8Sony A7rII UT | LM-EA9 | Light Lens Lab 50mm 2.0 SP II | f/2.8Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.0Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.0Sony A7rII UT | Light Lens Lab 50mm 2.0 SP II | f/2.8
…and only because something is good you don’t have to like it either.
I am an active member of several photography boards (Fred Miranda, DSLR-Forum, Leica Forum) and in addition to that plenty of Facebook groups and in a moment of weakness I might even have a look at the comment section of a Sonyalpharumors post. And of course I am also taking care of our own Discord community since early 2023.
What got me thinking and ultimately motivated me to write this piece: how useful is it to ask random people what lens you should buy?
The more time I spend on those boards (and I am trying to spend less time there), the more I think asking these questions there is pretty much pointless. Why is that?
Canon EF 50mm 1.2L USM via metabones adapter on Sony A7rII
During the DSLR era the Nikon users always envied the Canon users for their fast f/1.2 primes – even though most would have never willingly admitted to that. But those f/1.2 primes came at a price not only quantified in hard earned dollars: autofocus inaccuracies and focus shift could really spoil the party.
Now the modern mirrorless cameras solved these issues, and when the first AF adapters for E-mount came out some people even said these lenses work better on Sony mirrorless cameras than they ever did on Canon (D)SLR cameras.
So let’s find out together in this review, if there is still a reason to get and use this lens in 2023.
Sample Images
Sony A7III | Canon EF 50mm 1.2 L USM | f/1.2Sony A7III | Canon EF 50mm 1.2 L USM | f/1.2Sony A7III | Canon EF 50mm 1.2 L USM | f/1.2Sony A7III | Canon EF 50mm 1.2 L USM | f/1.2Sony A7III | Canon EF 50mm 1.2 L USM | f/1.2
Sony A7III | Canon EF 50mm 1.2 L USM | f/1.2 | Cobalt Elite Portra 400 NB
I already wrote an article on Cobalt’s products here, but in the meantime they released a new line of “Elite Film Emulations”, covering some of my favorite films from the Analogue Adventures, and asked me if I want to have a look at those as well, so here we are.
Sony α | Leica M | Nikon F/Z New article every week
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