My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses.
Don't ask me anything about macro or wildlife shooting though.
First thank you all for participating!
It was really interesting to see all your images. For those who don’t know what we are talking about: We posted a Raw (shot with Loxia 21mm 2.8 on A7rII) on our FB page and asked for your interpretations of this scene:
There is certainly no right or wrong here, the question is always: what mood do you want to convey?
Another really important aspect: you haven’t been there when the shot was taken. So I might connect things to this image that you simply can’t (the smell of the forest, my cold feet, getting up early, watching the sunrise etc.).
So I will discuss your results and show you mine after that. But keep in mind: This is my perspective and other people would have a different perspective. To simplify things I grouped the images.
Despite the release of the native E-mount 14mm 2.8 AF lens by Samyang their older – all manual – 14mm 2.8 still has a significant fan base. It is one of the very few lowcost ultra wide angle options and well suited for astrophotography. But it is also a lens known for its ridiculously high distortion and questionable build quality, so let us find out what the whole package has to offer!
Most sample shots have been taken on Nikon DSLRs as in the last years I have pretty much exclusively used this lens for astrophotography on my A7 series cameras.
The shot above can be found in higher resolution here.
With the increased High ISO capabilities of even entry level cameras astrophotography has become available to almost anyone. But if you want your files to show low noise and high dynamic range – or you want to print big – it might be worthwhile using some of the techniques I am going to show you in this article.
I do own a macro lens (Sigma 150mm 2.8) that I use for most of my product shots on this blog, but I rarely take it out for shooting as it is quite bulky and heavy. Nevertheless I like to take a close up shot from time to time so I decided to try out the Kenko and Fotodiox Pro extension tubes, to turn my Loxia 85mm 2.4 into a macro lens.
The Voigtländer 10mm 5.6 Hyper Wide Heliar E aspherical is the second native E-Mount lens by Voigtlander and it is also the widest rectilinear lens ever produced. I am a wide angle junkie so I was eagerly awaiting this lens. Read on to find out what one can do with such a wide lens!
Update (07/19/20): since I wrote this review the Laowa 9mm 5.6 has been released, I strongly recommend checking out its review first.
Manual Lenses | Sony Alpha | New articles every Tuesday
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