PR: Dear Mr. Li, let me thank you for this opportunity to ask you some questions about your work and the process of designing a lens.
But first we would like to learn a bit more about you. Can you tell us a little bit about your background and your position at Laowa?
Continue reading The Man behind the Lens: Dayong Li (Laowa 15mm 2.0 Zero-D FE)
I have already reviewed the Canon EF 200mm 1.8 L and the rare Voigtlander SL 180mm 4.0 APO-Lanthar, but the Olympus OM 180mm 2.0 Zuiko Auto-T is even rarer. I guess most of you didn’t know it even existed.
The Olympus an exotic relic from the past, one of Olympus’ masterpieces when it comes to 35mm lenses. So let us have a look at what I think is the first and only review of this lens on a (high res) digital full frame camera like the A7rII.
The Jupiter-11 135mm 4.0 is another copy of a Zeiss lens, this time the Zeiss Sonnar 135mm 4.0. This one is really cheap, but is it also as good as the Jupiter-9 85mm 2.0? Let us find out!
The Canon EF 200mm 1.8 L is one of the most extreme tele lens designs and while almost 30 years old it hasn’t been surpassed in terms of speed since. Also known as the “Eye of Sauron” it has already become a legend, so let us find out what is so special about this lens…
First thank you all for participating!
It was really interesting to see all your images. For those who don’t know what we are talking about: We posted a Raw (shot with Loxia 21mm 2.8 on A7rII) on our FB page and asked for your interpretations of this scene:
There is certainly no right or wrong here, the question is always: what mood do you want to convey?
Another really important aspect: you haven’t been there when the shot was taken. So I might connect things to this image that you simply can’t (the smell of the forest, my cold feet, getting up early, watching the sunrise etc.).
So I will discuss your results and show you mine after that. But keep in mind: This is my perspective and other people would have a different perspective. To simplify things I grouped the images.