All posts by Martin

Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 50 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.
Comparison, Nikon, Review

Review: Nikon Z 24-200mm f/4-6.3

5 Comments

Introduction

Could the Nikon Z 24–200mm f/4–6.3 be the only lens you really need? After reviewing the Nikon Z 24–70mm f/4 S and the Nikon Z 24–120mm f/4 S, several readers asked if I could also take a look at this superzoom.

I said that if there was enough interest—and if I could get my hands on a copy—I’d do it. The interest was clearly there, and thanks to my friends at Kamerastore I managed to get a loaner. A deal is a deal. So let’s see how it performs—and whether it can match the other two standard zooms.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 155mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 200mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 200mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 79mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 120mm f/6.3

Continue reading Review: Nikon Z 24-200mm f/4-6.3 →

Analogue, Color Negative

Analogue Photography: Part 6 – Kodak Gold 200

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Saab 35 Draken – a light single-engine supersonic interceptor and fighter aircraft

After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200.

The film was developed by bildskanning.com, and digitized using a Valoi easy120 system and TTArtisan 100mm macro 2X. The scans were then processed in Negative Lab Pro.

With this roll in the camera, I set out to explore two very different museums.

The first was the Flygvapenmuseum, (The Swedish Air Force Museum).

The Focke-Wulf Fw 44 Stieglitz , mid 1920s
Finnish Air Force biplane, Gloster Gladiator
Saab 17 – reconnaissance dive-bomber aircraft of the 1940s

Continue reading Analogue Photography: Part 6 – Kodak Gold 200 →

Review, TTArtisan

REVIEW: TTArtisan Tilt-Shift 17mm F4 ASPH.

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Introduction

TTArtisan has released three tilt-related lenses to date: a tilt-only 35mm APS-C, a tilt-only 50mm full-frame, and a 100mm tilt-and-shift full-frame — none of which are well suited to architectural photography.

This lens changes that: a 17mm full-frame tilt-and-shift with a complex, sophisticated optical and mechanical design. Despite that, it costs just $550.

On paper, that sounds like a bargain — assuming the performance delivers. Let’s find out.

camera-icon2I tested this lens on a 33 MP Sony a7C II.
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Sony a7C II | Tilt-Shift 17mm F4 ASPH.
Sony a7C II | Tilt-Shift 17mm F4 ASPH.
Sony a7C II | Tilt-Shift 17mm F4 ASPH.
Sony a7C II | Tilt-Shift 17mm F4 ASPH.
Sony a7C II | Tilt-Shift 17mm F4 ASPH.
Sony a7C II | Tilt-Shift 17mm F4 ASPH.

Continue reading REVIEW: TTArtisan Tilt-Shift 17mm F4 ASPH. →

lenses, Meike, Review

REVIEW: Meike 24mm f/1.4 MIX

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Introduction

Today I’m taking a look at another lens from Meike’s high-end MIX series of autofocus primes: the 24mm f/1.4 MIX. I reviewed their 85mm f/1.4 not long ago and was pleasantly surprised—even impressed—by its features and optical quality. Now it’s time to see whether the 24mm can live up to that standard.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | Meike 24mm f/1.4 | f/3.2
Nikon Zf | Meike 24mm f/1.4 | f/11
Nikon Zf | Meike 24mm f/1.4 | f/11
Nikon Zf | Meike 24mm f/1.4 | f/4.5
Nikon Zf | Meike 24mm f/1.4 | f/1.4
Nikon Zf | Meike 24mm f/1.4 | f/8

Continue reading REVIEW: Meike 24mm f/1.4 MIX →

Comparison, Review

REVIEW/Comparison: Thypoch Simera 35mm f/1.4 ASPH. (Z) vs Leica Summilux 35/1.4 FLE II

9 Comments

Introduction

Can a $369 lens really compete with a $6,600 Leica?
Fair warning: some results may surprise Leica fans, for better or worse.

Today I’m taking a closer look at the Thypoch Simera 35mm f/1.4 ASPH. Thypoch entered the market about two years ago, joining a growing group of Chinese manufacturers initially producing lenses for the Leica M mount. Since then, they’ve expanded their lineup from 21mm to 75mm, mostly with fast f/1.4 apertures, and have begun offering additional mounts beyond M.

In this post, I’ll be testing the Nikon Z version of the 35mm f/1.4—and putting it side by side with Leica’s own Summilux FLE II.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii and a Nikon Zf (Sample images were taken with a Nikon Zf)

You can see this review as a YouTube video here!

Sample Images

Nikon Zf | Thypoch Simera 35mm f/1.4 Z | f/1.4
Nikon Zf | Thypoch Simera 35mm f/1.4 Z | f/1.4
Nikon Zf | Thypoch Simera 35mm f/1.4 Z | f/1.4
Nikon Zf | Thypoch Simera 35mm f/1.4 Z | f/1.4

Continue reading REVIEW/Comparison: Thypoch Simera 35mm f/1.4 ASPH. (Z) vs Leica Summilux 35/1.4 FLE II →