All posts by Martin

Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 50 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.

Review: Zeiss Milvus 35mm f/2

Introduction

Today I’m looking at another Carl Zeiss lens from the Milvus series—the 35mm f/2. A lens that is popular for street, travel, and everyday photography. As Zeiss’s final DSLR-era lineup, the Milvus lenses benefited from decades of optical experience, aiming to deliver high image quality in a more practical, less bulky package than the no-compromise Otus line. I was impressed by the Milvus 21mm’s build and manual handling. Let’s see how it performs.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | Zeiss Milvus 35mm f/2 ZF.2 | f/2.8
Nikon Zf | Zeiss Milvus 35mm f/2 ZF.2 | f/14
Nikon Zf | Zeiss Milvus 35mm f/2 ZF.2 | f/2
Nikon Zf | Zeiss Milvus 35mm f/2 ZF.2 | f/4
Nikon Zf | Zeiss Milvus 35mm f/2 ZF.2 | f/5.6

Continue reading Review: Zeiss Milvus 35mm f/2

REVIEW: Zeiss Milvus 21mm f/2.8

Introduction

Let’s take a look at a lens from one of the industry’s heavyweights, Carl Zeiss—the 21mm f/2.8 from the Milvus series. It offers the immersive field of view that many people love for landscape, architecture, and environmental portrait photography, without being so wide that composition becomes tricky. As Zeiss’s final DSLR-era lineup, the Milvus lenses benefited from decades of optical experience, aiming to deliver high image quality in a more practical, less bulky package than the no-compromise Otus line. Let’s see how it performs.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | Zeiss Milvus 21mm f/2.8 ZF.2 | f/2.8
Nikon Zf | Zeiss Milvus 21mm f/2.8 ZF.2 | f/7.1
Nikon Zf | Zeiss Milvus 21mm f/2.8 ZF.2 | f/2.8
Nikon Zf | Zeiss Milvus 21mm f/2.8 ZF.2 | f/8
Nikon Zf | Zeiss Milvus 21mm f/2.8 ZF.2 | f/2.8
Nikon Zf | Zeiss Milvus 21mm f/2.8 ZF.2 | f/14

Continue reading REVIEW: Zeiss Milvus 21mm f/2.8

REVIEW: Nikon Z 20mm f/1.8 S

Introduction

Today I’m taking a look at the Nikon Z 20mm f/1.8 S—a focal length that sits right on the edge between ultra-wide and more “safe” wide-angle lenses. It offers the immersive field of view that many people love for landscape, architecture, and environmental portrait photography, without being so wide that composition becomes tricky. The fast f/1.8 aperture is useful in low light, and combined with the focal length, makes this lens a strong option for astrophotography. It’s not among Nikon’s cheapest lenses at around $1000, but it is, of course, an f/1.8 S-Line lens. Let’s see if it’s worth the price.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | Nikon Z 20mm f/1.8 S | f/14
Nikon Zf | Nikon Z 20mm f/1.8 S | f/16
Nikon Zf | Nikon Z 20mm f/1.8 S | f/14
Nikon Zf | Nikon Z 20mm f/1.8 S | f/10
Nikon Zf | Nikon Z 20mm f/1.8 S | f/14

Nikon Zf | Nikon Z 20mm f/1.8 S | f/11 Continue reading REVIEW: Nikon Z 20mm f/1.8 S

Review: Nikon Z 24-200mm f/4-6.3

Introduction

Could the Nikon Z 24–200mm f/4–6.3 be the only lens you really need? After reviewing the Nikon Z 24–70mm f/4 S and the Nikon Z 24–120mm f/4 S, several readers asked if I could also take a look at this superzoom.

I said that if there was enough interest—and if I could get my hands on a copy—I’d do it. The interest was clearly there, and thanks to my friends at Kamerastore I managed to get a loaner. A deal is a deal. So let’s see how it performs—and whether it can match the other two standard zooms.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 155mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 200mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 200mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 79mm f/6.3
Nikon Z7ii | Nikon Z 24-200mm f/4-6.3 | 120mm f/6.3

Continue reading Review: Nikon Z 24-200mm f/4-6.3

Analogue Photography: Part 6 – Kodak Gold 200

Saab 35 Draken – a light single-engine supersonic interceptor and fighter aircraft

After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200.

The film was developed by bildskanning.com, and digitized using a Valoi easy120 system and TTArtisan 100mm macro 2X. The scans were then processed in Negative Lab Pro.

With this roll in the camera, I set out to explore two very different museums.

The first was the Flygvapenmuseum, (The Swedish Air Force Museum).

The Focke-Wulf Fw 44 Stieglitz , mid 1920s
Finnish Air Force biplane, Gloster Gladiator
Saab 17 – reconnaissance dive-bomber aircraft of the 1940s

Continue reading Analogue Photography: Part 6 – Kodak Gold 200