Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 50 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.
Today I’m taking a look at another lens from Meike’s high-end MIX series of autofocus primes: the 24mm f/1.4 MIX. I reviewed their 85mm f/1.4 not long ago and was pleasantly surprised—even impressed—by its features and optical quality. Now it’s time to see whether the 24mm can live up to that standard.
Can a $369 lens really compete with a $6,600 Leica? Fair warning: some results may surprise Leica fans, for better or worse.
Today I’m taking a closer look at the Thypoch Simera 35mm f/1.4 ASPH. Thypoch entered the market about two years ago, joining a growing group of Chinese manufacturers initially producing lenses for the Leica M mount. Since then, they’ve expanded their lineup from 21mm to 75mm, mostly with fast f/1.4 apertures, and have begun offering additional mounts beyond M.
In this post, I’ll be testing the Nikon Z version of the 35mm f/1.4—and putting it side by side with Leica’s own Summilux FLE II.
In this review, we take a look at the Nikon Z 35mm f/1.4, released several years after the original Z-series 35mm, the Z 35mm f/1.8 S. It brings the long-sought f/1.4 aperture typically found on Nikon’s pro lenses, which is always an exciting option, but without the “S” designation used for the company’s higher-end optics.
The pricing is what really stands out: the f/1.8 S is actually more expensive, despite being about two-thirds of a stop slower. So which one makes more sense? A direct comparison should help clarify which lens is the better fit—and what compromises, if any, come with the faster option.
Here we have another ultra-wide-angle lens from TTArtisan: an affordable 14mm with a maximum aperture of f/2.8. It’s quite compact and reasonably fast for such a wide-angle lens. A 14mm lens is a good choice for architectural and dramatic landscape photography. The f/2.8 aperture also makes it suitable for astrophotography, and at around 196 USD it remains very affordable. Let’s take a look at its performance.
Meike is stepping up its autofocus game with a bold new lens: an 85mm f/1.4. While it’s not their first AF lens, it’s a pro favourite for portraits and shots that really make the subject pop, with that classic strong subject separation. Meike even claims it’s China’s first 85mm f/1.4 portrait flagship lens—a pretty bold statement. Naturally, I was curious to see it for myself when they offered a copy for review. Let’s find out how good it really is.
Sony α | Leica M | Nikon Z/F New articles every week
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I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
