Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 45 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.
It seems to have become a trend among Chinese lens manufacturers to produce full-frame macro lenses with 2X magnification. Here, we have one of the most affordable options: the Pergear 60mm f/2.8 MK2 Macro 2X. Let’s dive into its strengths and weaknesses!
I tested this lens on a 46 MpNikon Z7ii (Sample images were taken with a Nikon Zf and Nikon Zfc) You can see this review as a YouTube video here!
The Carl Zeiss Jena 135mm f/3.5 is a vintage lens, originally designed in 1929. Renowned for its simple yet ingenious design and impressive sharpness, it’s also celebrated for its remarkably light weight. Historically, 135mm has been the classic focal length for portrait photography, and the most popular telephoto focal length for most photographers. Therefore almost all of the lens manufacturers had at least 2 of them, a f/2.8 and a f/3.5, many offered other speeds in between or even faster than 2.8. The Sonnar design, with its compact size, made it a popular choice for photographers on the move. While Carl Zeiss produced numerous Sonnar 135mm lenses, other manufacturers have also developed their own Sonnar-inspired lenses incorporating modern technology. Despite its historical significance, I found the Carl Zeiss Jena 135mm f/3.5 price more reasonable than other coveted vintage lenses, prompting me to purchase one for testing. (I bought mine for €10 but prices normally start from €20)
I tested this lens on a 46 Mp Nikon Z 7II (Sample images Nikon Z6 and Nikon Zf) You can see this review as a YouTube video here!
TTArtisan has produced several affordable and well-regarded manual lenses in recent years. Now, they’ve introduced their first full-frame autofocus lens: a 75mm f/2, available for Sony E and Nikon Z mounts at a budget-friendly price of $178. Lenses in the 50mm to 85mm range are typically known for their strong optical performance, and this focal length is particularly well-suited for portraiture and general-purpose photography, offering a slightly tighter field of view than a standard 50mm. The 75mm f/2 allows for excellent subject isolation while maintaining enough background detail to keep the blur subtly recognisable. Let’s dive into its strengths and weaknesses!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf) You can see this review as a YouTube video here!
TTArtisan has done it again. After previously remaking the legendary Meyer-Optik Görlitz Trioplan 100mm f/2.8—renowned for its distinctive soap bubble bokeh—they’ve now turned their attention to another iconic lens: the Big B, or more precisely, the Carl Zeiss Biotar 75mm f/1.5. This legendary lens, famous for its swirly bokeh, sharp centre, and 3D pop, has become something of a myth over time.
While TTArtisan has never claimed to have replicated the Biotar, the lens’s shape, mount choice, and, more importantly, its optical formula leave little to the imagination about what they have aimed to mimic.
The Biotar 75mm is often called the “Original King of Bokeh,” as the popular Soviet-era Helios 40 85mm f/1.5—known simply as the “King of Bokeh”—is rumored to be based on the Biotar’s design due to their similar optical formula.
Thanks to its unique optical characteristics, limited production, and beautiful bokeh, sharpness, and 3D pop, the Biotar 75mm f/1.5 became highly sought after, eventually turning into a collector’s item. Prices on the used market soared to between $1,500 and $4,500, depending on the version and condition. Now, let’s take a closer look at TTArtisan’s remake of this iconic lens!
I tested this lens on a Nikon Zf. You can see this review as a YouTube video here!
This diary entry covers our third day of the trip. For details on previous days, see the ‘Further Reading’ section at the end of the article.
I have not included all the pictures here. This is more or less just a display of selected images from that day. To see all of them with more details and information, watch the video of this third day for a unique experience and a story of this adventurous day!
After two nights at our first camp, we left that camp to go somewhere else. But before moving on to the new camp, we went to the main activity of the day that we had all been looking forward to, Polar dog sledding in the Nordic forests.
Nikon Z6 | Nikkor Z 24-70/4 S | f/7.1Nikon Z6 | Nikkor Z 24-70/4 S | f/11
Sony α | Leica M | Nikon F/Z New article every week
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I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf and Nikon Zfc)
You can see this review as a YouTube video here!
