Today I’m taking a look at the Nikon Z 20mm f/1.8 S—a focal length that sits right on the edge between ultra-wide and more “safe” wide-angle lenses. It offers the immersive field of view that many people love for landscape, architecture, and environmental portrait photography, without being so wide that composition becomes tricky. The fast f/1.8 aperture is useful in low light, and combined with the focal length, makes this lens a strong option for astrophotography. It’s not among Nikon’s cheapest lenses at around $1000, but it is, of course, an f/1.8 S-Line lens. Let’s see if it’s worth the price.
Nikon Zf | Nikon Z 20mm f/1.8 S | f/14Nikon Zf | Nikon Z 20mm f/1.8 S | f/16Nikon Zf | Nikon Z 20mm f/1.8 S | f/14Nikon Zf | Nikon Z 20mm f/1.8 S | f/10Nikon Zf | Nikon Z 20mm f/1.8 S | f/14
The Mr. Ding Studio 50mm 1.1 Noxlux M has sadly been out of stock for quite some time, but in the meantime the manufacturer updated its design and the lens is now available as this Mr. Ding 50mm 1.2 Noxlux Z for Z-mount – with electronic contacts, still something rare to see among the manual focus lenses from China. Let’s have a look together.
This lens is in many aspects identical to the Mr. Ding 50mm 1.1 M and Syoptic 50mm 1.1, so I will reuse a few sections of my reviews of those lenses.
Sample Images
Nikon Zf | Mr. Ding 50mm 1.2 Z | f/1.2Nikon Zf | Mr. Ding 50mm 1.2 Z | f/1.2Nikon Zf | Mr. Ding 50mm 1.2 Z | f/1.2Nikon Zf | Mr. Ding 50mm 1.2 Z | f/2.8Nikon Zf | Mr. Ding 50mm 1.2 Z | f/4.0Nikon Zf | Mr. Ding 50mm 1.2 Z | f/8.0Nikon Zf | Mr. Ding 50mm 1.2 Z | f/5.6
The 7Artisans AF 35mm f/1.8 full-frame lens for E-mount was released on September 4th, and now the company has added L- and Z-mount versions. It follows their earlier 24mm f/1.8 full-frame lens, which was well received by photographers. At a launch price of $299, this new 35mm sits on the budget-friendly side of the lineup, and if it performs as well as its 24mm sibling, it should offer great value for money. Let’s check it out!
UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.
The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.
While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.
The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs
Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.
Sony α | Leica M | Nikon Z/F New articles every week
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