If you already had a look at some of my reviews of MS-Optics lenses you are probably aware that these are quirky lenses. This MS-Optics 57mm 2.0 Petz is one recommended by MS-Optics for “beginners” though. What does that mean? Let’s find out in this review.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
When visiting Japan in early 2023 I exposed 8 rolls of film, this is a collection of pictures from that trip.
The M-mount seems to be more popular than ever, thanks to plenty of manufacturers – old and new – from Europe, Japan and China designing and releasing countless of new lenses every year for this bayonet.
Super fast 50mm lenses are especially popular here, so many manufacturers designed one as their “flagship” lens.
Thanks to a reader and very cooperative companies I managed to get 6 of these lenses on my table at the same time, so let’s see what each of them is good at – to help you figure out which one might work best for your needs.
Last Update March 2025: Transmission section updated
In 2023 Kodak Portra 800 is the fastest (or rather most sensitive) color negative film that is still in production. Ever since using that awful Cinestill 800T I was curious what results from a real ISO 800 color film will look like, so here we are.
Exposed as ISO400. Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 26: Kodak Portra 800 ECN-2
In 1971 – two years before the Leitz/Minolta CL with its 40mm 2.0 lens – Minolta released the Hi-Matic E, a compact fixed lens 35mm rangefinder camera with a 40mm 1.7 Rokkor-QF lens.
While this lens is manual focus its aperture is being controlled electronically, which is why it is very difficult to turn it into an interchangeable lens that can be used on other cameras.
There might be only one person crazy enough to salvage the lens elements from such a Hi-Matic E camera, design a new housing for them and adding a manually controlled aperture diaphragm and that is Miyazaki Sadayasu from MS-Optics.
I came across one of these rare lenses in a small camera shop in Hong Kong and as this was a bit of a “once in a lifetime opportunity” I bought it without really knowing what I am getting myself into, so here we are.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Continue reading Review: Minolta/MS-Optics 40mm 1.7 Rokkor-QF