Over the years Cosina has become really good at designing compact yet fast lenses and the Voigtländer VM 75mm 1.5 Nokton might be the epitome of that, as it offers a huge entrance pupil (= a lot of bokeh) for its size and weight. Let’s find out more about this intriguing lens together.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Update 06/24: complete update of the review
Some of you may still remember the first part of this series, where I described what analogue cameras I had a look at and why I ultimately ended up with a Leica M6. An F-mount analogue camera was also in strong consideration, but I did not go for it because I did not want to buy a set of F-mount lenses – and the F-mount being a dead mount anyway. But in the meantime some things have changed, so here I am again…
Continue reading Analogue Adventures – Part 31: Which Nikon F-mount film camera to get?
There are already two articles covering Portra 800, but both times they have been developed in the ECN-2 process by Silbersalz35. What was missing was Portra 800 developed in the more common C-41 process, so here we go.
Exposed as ISO640. Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 30: Kodak Portra 800 C-41
I found a few rolls of Kodak Farbwelt 200 that must have expired some 20 years ago and most likely they haven’t been properly stored at all. This first roll I exposed as ISO50 and I had absolutely no idea what to expect. The lab wasn’t happy and told me the film was massively expired and the scanner had a hard time scanning the negatives. Let’s see if some usable pictures came out of this.
Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 29: Kodak Farbwelt 200 (expired)
Before the release of the Voigtländer VM 50mm 1.0 Nokton in 2022, this Voigtländer VM 21mm 1.4 Nokton was Cosina’s most expensive M-mount lens and also one of their most complex ones – thanks to 13 elements in 11 groups, 4 aspherical surfaces and a floating elements design. Unfortunately this also made it one of their heaviest and most expensive lenses and I have the feeling it didn’t quite get the momentum Cosina expected for their flagship lens, hence in many parts of the world the price has been reduced several times since release – reason enough to have a closer look at this intriguing lens now.
Lens is being reviewed on Sony A7rII and Leica M10
