Category Archives: Zeiss

Projector Lenses – Reviving the Joy of Old Petzval Lenses (Guest Article)

Introduction

Martin recently reviewed Lomo’s replica of a Petzval lens. I commented, perhaps slightly snidely, that vintage Petzval lenses are still around, often for less money, and often with better centre sharpness – and certainly with a vast choice of models and thus rendition nuances.

Martin suggested I share my knowledge in an article. And like an inverse Spice Girl, one became two. This one seeks to introduce you to the weird magic of Petzval lenses and their widespread availability from old cinema film projectors. The next will look at adapting them, and indeed any old projection lens, to a modern-day camera.

So here we go, I guess.

All pictures were taken on full-frame evils: a Sony a7r2 and an a7cr. Some were cropped; all were adjusted for proper blacks and whites according to ancient darkroom principles. None had additional sharpening or aberration correction applied.

Sample Images

Meyer  Görlitz Kinon Superior 50/2.2.
Meopta Meostigmat 50/1.3, 617-inspired 1:3 crop out of 3:2 full frame image.
Meyer  Görlitz Kinon Superior  50/1.6 – A characteristic of Petzval lenses is the swirly bokeh, which also results in lentilesque distortion of highlights (some call it cat’s eyes; you’d need a pretty deformed cat to see that analogy).
Meopta 50/1.3
The Meyers date from the 1930s! This 50/1.6 cost someone 6 pound sterling in 1938, according to an old advert.

Continue reading Projector Lenses – Reviving the Joy of Old Petzval Lenses (Guest Article)

Review: Zeiss 18mm 3.5 Distagon ZF.2

Introduction

zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Zeiss 18mm 3.5 ZF.2 on Nikon FM2n

Zeiss offered a wide variety of manual focus lenses for Nikon F-mount and Canon EF. Many of these lenses have been famous not only for being purely manual focus lenses, but also for being pretty big compared to the competition. Sitting inbetween the huge Zeiss 15mm 2.8 and 21mm 2.8, this Zeiss 18mm 3.5 was Zeiss’ “compact” ultra wide angle prime. It also has a reputation for being the worst of them, is that justified? Let’s find out in this review!

Sample Images

zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/3.5
zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/3.5
zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/3.5
zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/3.5
zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/3.5
zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/11
zeiss 18mm 3.5 distagon classic zf zf.2 zf2 ze t* germany german high resolution contrast landscape sharpness architecture distortion lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 18mm 3.5 ZF.2 | f/11

Continue reading Review: Zeiss 18mm 3.5 Distagon ZF.2

Review: Zeiss Otus 28mm 1.4 Apo Distagon

Introduction

zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Zeiss 28mm 1.4 Otus on Sony A7rII

As third lens of the prestigious Otus lineup, in 2016 Zeiss released the Zeiss Otus 28mm 1.4 Apo Distagon. At that time it was the biggest, heaviest and most complex 28mm fullframe lens ever seen and it came with an eye watering price tag of $5.000, putting it far ouf of most people’s reach. On the used market you can now find this lens for less than half that – still a lot of money – is it worth saving up for this lens? Let’s try to find out!

Sample Images

zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Sony A7III | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Sony A7III | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4

Continue reading Review: Zeiss Otus 28mm 1.4 Apo Distagon

Review: Carl Zeiss Jena Sonnar 135mm f/3.5

Introduction

The Carl Zeiss Jena 135mm f/3.5 is a vintage lens, originally designed in 1929. Renowned for its simple yet ingenious design and impressive sharpness, it’s also celebrated for its remarkably light weight.  Historically, 135mm has been the classic focal length for portrait photography, and the most popular telephoto focal length for most photographers. Therefore almost all of the lens manufacturers had at least 2 of them, a f/2.8 and a f/3.5, many offered other speeds in between or even faster than 2.8. The Sonnar design, with its compact size, made it a popular choice for photographers on the move. While Carl Zeiss produced numerous Sonnar 135mm lenses, other manufacturers have also developed their own Sonnar-inspired lenses incorporating modern technology. Despite its historical significance, I found the Carl Zeiss Jena 135mm f/3.5 price  more reasonable than other coveted vintage lenses, prompting me to purchase one for testing. (I bought mine for €10 but prices normally start from €20)

camera-icon2I tested this lens on a 46 Mp Nikon Z 7II (Sample images Nikon Z6 and Nikon Zf)
You can see this review as a YouTube video here!

Sample Images

Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5
Nikon Zf | Carl Zeiss Jena Sonnar 135mm f/3.5 | f/3.5

Continue reading Review: Carl Zeiss Jena Sonnar 135mm f/3.5

Review: Zeiss ZM 21mm 4.5 C-Biogon

Introduction

zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Zeiss ZM 21mm 4.5 C-Biogon on Leica M6

The Zeiss ZM 21mm 4.5 C-Biogon is the widest of the three “Classic” designs in Zeiss’ ZM line up. It has long been discontinued and it wasn’t in production for a long time, so it is a bit rare and rather expensive on the used market. I always wondered how it would compare to the similarly compact yet newer Voigtländer VM 21mm 3.5 Color-Skopar and now we will finally find out.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10

Sample Images

zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/11
zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/11
zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/4.5
zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/11
zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/8.0
zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/11
zeiss zm 21mm 4.5 c-biogon classic wide angle leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting
Leica M10 | Zeiss ZM 21mm 4.5 C-Biogon | f/4.5

Continue reading Review: Zeiss ZM 21mm 4.5 C-Biogon