Category Archives: Vintage

Review: Tamron SP AF 90mm F2.5

Introduction

Tamron SP AF 90mm f/2.5 on Nikon Z6

Tamron made a big impression on the market when they launched their SP 90mm F/2.5 back in 1979. Small, flexible and very sharp. It is originally designed for 35mm cameras (full-frame) but can also be used on APS-C cameras with an equivalent focal length of 135mm. It is a classic dual purpose 90mm macro lens. The lens manages to do a 1:2 magnification, almost macro and many call it for a macro lens although Tamron themselves did not do that and only talked about it as “a medium telephoto portrait lens”.  (They called the previous versions, also with 1:2 magnification, “tele-macro” though.) Anyhow, it has long been the general opinion that it has very good close-up capabilities and it can do 1:1 macro with some help as we will see. It is also very suitable for use as a portrait lens at normal distances. The lens has been updated several times since its first release and changed look and optical formula during over 40 years of its existence. Each new version could have an additional feature, improved optical performance, just a cosmetic update, or a combination of them. We are going to look at the first AF version of this lens from 1990. The lens has been made with native mounts for Nikon F, Pentax K and Minolta/Sony A. I test a Nikon mount lens mostly on a FF mirrorless Nikon Z6 and APS-C DSLR Nikon D7200  (F mount) but I also include images taken with FF DSLR Nikon D600 (also F mount).

Sample Images

Nikon D600 | Tamron AP AF 90mm f/2.5 | 2.5

Nikon D600 | Tamron AP AF 90mm f/2.5 | 7.1 | Focus stacked from 11 images

Nikon D600 | Tamron AP AF 90mm f/2.5 | 3.3

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Review: Konica Hexanon AR 40mm f/1.8

Introduction

Konica Hexanon AR 40mm F1.8 on Nikon Z6
Konica Hexanon AR 40mm F1.8 on Nikon Z6

Konica Hexanon AR 40mm f1.8 is a pancake standard lens, it was shipped as kit lens with Konica SLR cameras during a couple of years in mid and late ’70s. While it is not an actual wide angle lens it is still wider than a normal 50mm lens, which, in my opinion, can be helpful for street photography as it allows to include more of the environment from the same camera to subject distance. It also does so without introducing the perspective distortion of a 35mm wide angle lens with equivalent speed/aperture.
Sometimes it’s hard to explain it but in many situations the 40mm focal length feels just right (i.e. to my taste). When it was introduced some photography magazines considered it the sharpest lens ever produced (for its time that is), there is no hard proofs on that though. You can find it very cheap at about 20-30$. Let’s see if it still is justified to buy this lens today.

Sample Images

Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40mm F1.8 | 5.6

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Review: Zeiss ZM 18mm 4.0 Distagon

Introduction

zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Zeiss ZM 18mm 4.0 Distagon on Leica M10

The Zeiss ZM 18mm 4.0 Distagon is the second widest lens of the ZM family and one of the few 18mm M-mount lenses. Is 18mm being an unpopular focal length among Leica users the reason this lens has already been discontinued or is it because of its optical qualities? Let’s find out in this review.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10

Sample Images

zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/4.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/4.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/4.0
 
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/8.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/8.0

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Review: Zeiss ZM 35mm 1.4 T* Distagon

Introduction

zeiss distagon 35mm 1.5 zm t* adapter leica m a7rII a7r a7s a7 sony review
Sony A7rII with Voigtlander VM-E close focus adapter and Zeiss ZM 35mm 1.4 T* Distagon

The Zeiss ZM 35mm 1.4 T* Distagon has often been referred to as being one of the best 35mm lenses available, combining high sharpness as well as microcontrast and smooth bokeh in a small yet very pricey package. But is this still the case in 2023?
Update March 2023: general update

Sample Images

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Sony A7rII | Zeiss ZM 35mm 1.4 Distagon | f/11 | higher resolution
zeiss distagon 35mm 1.5 zm t* adapter leica m a7rII a7r a7s a7 sony review
Sony A7s | Zeiss ZM 35mm 1.4 T* Distagon | f/1.4 | full resolution
zeiss distagon 35mm 1.5 zm t* adapter leica m a7rII a7r a7s a7 sony review
Sony A7rII | Zeiss ZM 35mm 1.4 T* Distagon | f/1.4 | full resolution

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Review: Canon FD 35mm 2.8 TS

Introduction

canon fd ts tilt shift 35mm 2. fe sony a7rii a7riv review comparison contrast sharpness vignetting pancake small
Canon FD 35mm 2.8 T/S on Sony A7rII

I already reviewed a few of Canon’s TS-E lenses, but this Canon FD 35mm 2.8 TS is something special, as it was the first Tilt/Shift lens for the 35mm format (at least as far as I know and according to Canon’s marketing department).
This lens has first been released in 1973, so we are also celebrating its 50th anniversary with this review.

Sample Images

canon fd ts tilt shift 35mm 2. fe sony a7rii a7riv review comparison contrast sharpness vignetting pancake small
Sony A7rII | Canon FD 35mm 2.8 TS | f/8.0 | shift up
canon fd ts tilt shift 35mm 2. fe sony a7rii a7riv review comparison contrast sharpness vignetting pancake small
Sony A7rII | Canon FD 35mm 2.8 TS | f/2.8 | tilted
canon fd ts tilt shift 35mm 2. fe sony a7rii a7riv review comparison contrast sharpness vignetting pancake small
Sony A7rII | Canon FD 35mm 2.8 TS | f2.8
canon fd ts tilt shift 35mm 2. fe sony a7rii a7riv review comparison contrast sharpness vignetting pancake small
Sony A7rII | Canon FD 35mm 2.8 TS | f/2.8
 
canon fd ts tilt shift 35mm 2. fe sony a7rii a7riv review comparison contrast sharpness vignetting pancake small
Sony A7rII | Canon FD 35mm 2.8 TS | f/5.6 | shift up

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