Category Archives: Vintage

Canon newFD 50mm f/1.8: A review

Introduction

Canon newFD 50mm f/1.8 review

The Canon newFD 50mm f/1.8 is one of the cheapest manual lenses one can find nowadays. Does this small lens give you the best bang for your buck?

Sample images

Canon newFD 50mm f/1.8 review
Sony a7RIII | Canon 50mm f/1.8 newFD | f/5.6
Canon newFD 50mm f/1.8 review
Sony a7RIII | Canon 50mm f/1.8 newFD | f/8
Canon newFD 50mm f/1.8 review
Sony a7RIII | Canon 50mm f/1.8 newFD | f/8
Sony a7RIII | Canon 50mm f/1.8 newFD | f/5.6

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Guest Review: Pentax SMC FA 31mm f1.8 Limited

11/15/2020:  “Alternatives” and “Conclusion” and “Notes” sections has been updated in light of new releases, and a few more sample images have been added.

The Pentax 31mm f1.8 Limited is a fast moderate wide angle lens released in 2001. It’s designated as one of Pentax’s “Limited” series, denoting its high status within the Pentax catalogue. Since its release, the 31 Ltd has been beloved, especially within the Pentax community. I picked up my first copy in pursuit of a fast, decently priced alternative to the Sony RX1. Sony hasn’t provided shooters with a native fast 35mm f1.8 or f2 option. The 31 Ltd was a highly praised lens upon release, but optics have come along way recently, and it’s getting long in the tooth. Let’s see how it holds up 17 years after it’s release, and what type of images we can expect.


The 31mm focal length is an oddity, being near but noticeably different from the more conventional 28mm or 35mm focal lengths. The 31 ltd functions as versatile jack-of-trades lens with its 31 FL. The lens is still in production by Pentax/Ricoh, coming in either silver or black.

To view larger versions of the photos in this review, follow this link to my Pentax 31 ltd album on flickr

 

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Olympus E. Zuiko 135mm f/3.5: A review

Introduction

The Olympus E. Zuiko 135mm f/3.5 is a very small but rather slow tele lens which can be found quite cheap nowadays. Is it still good value for money in these days when used on high megapixel cameras?

Sony A7RIII | Olympus E. Zuiko 135mm f/3.5 | f/3.5
Sony A7RIII | Olympus E. Zuiko 135mm f/3.5 | f/5.6
Sony A7RIII | Olympus E. Zuiko 135mm f/3.5 | f/3.5

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Review: Minolta MD Zoom 75-150mm 1:4

The Minolta MD 75-150mm f4 was released nearly 40 years ago but still it makes a good argument for a category of lenses which has nearly died out: Zooms with a limited range and slower speed.

Image Samples

You can find most images shown in the review in full resolution in this You can find many of the images shown here in full resolution in this flickr set: Minolta MD Zoom 75-150mm 1:4.. 

    

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Guide to Classic Olympus OM Zuiko lenses on film and Sony Full Frame

Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full frame camera, or for someone who wants to experiment with film. I was an OM system user back in the days of film, so you’ll see a few samples from me that are from OM film cameras, as well as digital. In this guide Juriaan, Phillip and I will take you through the lenses with comments about how they perform, and whether they make sense adapted to Sony full frame digital cameras.

Many of the samples are film era images taken from my (David’s) personal archives. We don’t therefore pretend that they illustrate the technical qualities of the lenses, but they do give you an idea of the creative possibilities of them.

Except for a few late era lenses, they won’t resolve quite as well as the best expensive modern lenses, or be as as contrasty as the latest Zeiss or GM glass. But many are close and nonetheless extremely good, and others have a look which we sometimes enjoy as an alternative to the near perfection of some recent glass.

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