Over the years Cosina has become really good at designing compact yet fast lenses and the Voigtländer VM 75mm 1.5 Nokton might be the epitome of that, as it offers a huge entrance pupil (= a lot of bokeh) for its size and weight. Let’s find out more about this intriguing lens together. This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10. Update 06/24: complete update of the review
Sample Images
Leica M10 | Voigtländer VM 75mm 1.5 Nokton | f/1.5Leica M10 | Voigtländer VM 75mm 1.5 Nokton | f/2.8Leica M10 | Voigtländer VM 75mm 1.5 Nokton | f/2.8Leica M10 | Voigtländer VM 75mm 1.5 Nokton | f/1.5Leica M10 | Voigtlander VM 75mm 1.5 | f/1.5Leica M10 | Voigtländer VM 75mm 1.5 Nokton | f/1.5Sony A7rII | Voigtländer VM 75mm 1.5 Nokton | f/1.5
From time to time, TTArtisan creates unconventional but very interesting lenses not typically found in other lens manufacturers’ offerings. (e.g. the 100/2.8 bubble bokeh, or the 100mm 2x macro Tilt/Shift). This time they have come up with a telephoto lens. A light and compact full-frame mirror lens with an unconventional focal length of 250mm. On an APS-C camera it has an equialent focal length of 375mm, which touches the realm of super telephoto lenses. Let’s have a look!
I tested this lens on a Nikon Z 7II mirrorless camera, which has a 46Mp full-frame sensor. Sample images were taken in both FX (full-frame) and DX (APS-C) formats. Whenever the image was captured in DX format, I noted it in the caption.
Sample Images
Nikon Z 7II | TTArtisan 250mm f/5.6 Mirror | FXNikon Z 7II | TTArtisan 250mm f/5.6 Mirror | FXNikon Z 7II | TTArtisan 250mm f/5.6 Mirror | FXNikon Z 7II | TTArtisan 250mm f/5.6 Mirror | DXNikon Z 7II | TTArtisan 250mm f/5.6 Mirror | DX
Some of you may still remember the first part of this series, where I described what analogue cameras I had a look at and why I ultimately ended up with a Leica M6. An F-mount analogue camera was also in strong consideration, but I did not go for it because I did not want to buy a set of F-mount lenses – and the F-mount being a dead mount anyway. But in the meantime some things have changed, so here I am again…
This 27mm pancake lens for APS-C cameras could be a good choice for everyday photography. Its focal length, between a wide-angle lens and a traditional standard lens, offers a versatile perspective that’s quite usable for capturing everyday moments. Its first version, only for Fuji X cameras, was the company’s first autofocus lens. They’ve since expanded to include versions for Nikon Z and Sony E mounts. It is one of the cutest lenses I have ever seen, not only it is small, but also very light and good-looking. The attractive price tag of around $149 makes it an even more compelling option, but how well does it perform? Let’s find out!
I review the lens on a Nikon Z fc.
Sample Images
Nikon Z fc | TTArtisan AF 27mm f/2.8 | f/2.8Nikon Z fc | TTArtisan AF 27mm f/2.8 | f/4Nikon Z fc | TTArtisan AF 27mm f/2.8 | f/5.6Nikon Z fc | TTArtisan AF 27mm f/2.8 | f/2.8
Thypoch Eureka 50mm 2.0 (extended) with hood on Leica M10
Thypoch’s third lens – after the Simera 28mm 1.4 and Simera 35mm 1.4 – is this Eureka 50mm 2.0. What is special about it: it is a collapsible lens that needs to be extended first in order to use it. The two wide angle lenses featured complex modern designs whereas this one takes more of a classic approach, so let’s find out what it is capable of. This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Sony α | Leica M | Nikon F/Z New article every week
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