Introduction The Zeiss ZM 21mm 4.5 C-Biogon is the widest of the three “Classic” designs in Zeiss’ ZM line up. It has long been discontinued and it wasn’t in production for a long time, so it is a bit rare and rather expensive on the used market. I always wondered how it would compare to … Continue reading Review: Zeiss ZM 21mm 4.5 C-Biogon
Introduction No matter the camera system, 28mm f/1.4 fullframe lenses are a rare breed. And when you are looking for one equipped with autofocus, things really start to look dire. In most cases your only option is this Sigma 28mm 1.4 Art, which is also one of Sigma’s last fast primes designed for DSLRs and … Continue reading Review: Sigma 28mm 1.4 Art
Introduction The Voigtländer 58mm 1.4 SL IIs Nokton has been in production since 2007 and gathered many fans over the years. This is probably the reason Cosina updated its casing design several times throughout the years while keeping the optics the same. Let’s see if we can find out what people like about it in … Continue reading Review: Voigtländer 58mm 1.4 SL IIs Nokton (Nikon F)
Introduction Today, you can create almost any effect in post-processing. However, there are hurdles: 1) you need a good editing program, 2) you have to master the program to get good results, 3) you have to spend some time in front of your computer to get the desired effect. Alternatively, you can invest in expensive … Continue reading Review: Walkingway Effect Filters: Black Mist, Streak, Star, Prism, and Soft Filters
Introduction Nikon Z 28/2.8 has the classic focal length for candid street work and is a very compact lens. In fact, it is one of the smallest and lightest Z prime lenses for fullframe cameras. It can be fitted on an APS-C camera as a prime standard lens, which will have the equivalent focal length … Continue reading Review: Nikon Nikkor Z 28mm f/2.8