Introduction The Sony FE 50mm 1.4 GM is a lens I surely hadn’t expected when it was released – especially only two years after the Sony FE 50mm 1.2 GM hit the market. Some people say this one is better than the half-a-stop faster f/1.2 lens, but is that really the case? Let’s find out … Continue reading Review: Sony FE 50mm 1.4 GM
Introduction Many of the new manufacturers from China decided to start with all manual lenses and often of moderate specifications. With this Songraw 50mm 1.2 Moonlit the story is different: a complex autofocus 50mm lens with a maximum aperture of f/1.2, only Sony and Sigma released a lens with these specifications for the E-mount yet. … Continue reading Review: Songraw 50mm 1.2 Moonlit
Introduction I think I have always been at the forefront to introduce (new) niché lens manufacturers to you guys. Omnar lenses definitely is one of those: a boutique lens manufacturer based in the UK, producing low quantities of unique lenses and also offering lens conversions with a huge attention to detail and quality. The Omnar … Continue reading Review: Omnar 50mm 2.0 Bertele FLB
Introduction Most manufacturers producing M-mount lenses have at least one super fast 50mm lens in their portfolio and quite often these are prestigious flagship lenses for them. The latest entry is DJ-Optical with his 50mm 1.0 lens for M-mount – produced only in small quantities and officially being sold only in China at the moment. … Continue reading Review: DJ-Optical 50mm 1.0 M
Introduction Zeiss Jena designed the first Pancolar 50mm with a maximum aperture of f/2 in 1960, partly to offer a faster and better-performing alternative to the Tessar 50mm f/2.8. As competitors began designing and releasing standard 50mm lenses with f/1.8 apertures, Zeiss found it necessary to respond with a lens of similar specification. The result … Continue reading REVIEW: Carl Zeiss Jena Pancolar 50mm f/1.8 MC