One of the first reviews I wrote here was for the Nikon AF-S 20mm 1.8G in 2016. A lot has happened since: Nikon now has its own mirrorless system, many new ~20mm lenses have been released in the meantime and also my testing methods have improved. A lot of reasons, to have another look at this lens.
Update April 2026: complete rewrite of the review.
I already shot Kodak Pro Image 100 and had it developed in the typical C-41 process, this time we see how it turns out when developed in the more complex ECN-2 process.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from one roll of film. Per recommendation when having the film ECN-2 developed I shot it at half box speed (ISO 50).
Continue reading Analogue Adventures – Part 51: Kodak Pro Image 100 ECN-2
The Sony FE 50mm 1.4 GM is a lens I surely hadn’t expected when it was released – especially only two years after the Sony FE 50mm 1.2 GM hit the market. Some people say this one is better than the half-a-stop faster f/1.2 lens, but is that really the case? Let’s find out in this review!
In 2019 Samyang relesased this Samyang 35mm 1.2 XP. At that time, I honestly didn’t care much about it, because Sigma also released their Sigma 35mm 1.2 Art DG DN mirrorless design, which actually offered AF, making it a more sensible choice. This Samyang 35mm 1.2 XP is one of only two fullframe 35mm 1.2 lenses for EF-mount (or any (D)SLR mount actually) though, reason enough to have a closer look at it.
After the Sony FE 40mm 2.5 G and the TTArtisan 40mm 2.0 AF we now have a third compact 40mm lens with AF: the 7Artisans 40mm 2.5 AF. Let’s find out in this review how it compares to its competitors.
