While Sigma is mostly famous for their series of fast and big “Art” lenses they also offer a lineup of more compact and more affordable “Contemporary” lenses. At the time of writing this review, the widest prime entry of that series is this Sigma 17mm 4.0 DG DN Contemporary. Let’s have a closer look and also see how it compares to the Viltrox AF 14mm 4.0 FE Air.
Many of the new manufacturers from China decided to start with all manual lenses and often of moderate specifications. With this Songraw 50mm 1.2 Moonlit the story is different: a complex autofocus 50mm lens with a maximum aperture of f/1.2, only Sony and Sigma released a lens with these specifications for the E-mount yet. But can a lens as ambitious as this from an unknown manufacturer actually be any good? Let’s find out in this review.
Released in 2007, the Nikon AF-S 14-24mm 2.8G was way ahead of its time. It pushed the limits of what can be expected from a very wide f/2.8 ultra wide angle zoom – by a lot actually – and not only rendered a bunch of primes in the 14mm to 24mm range useless, it also survived three generations of 70-200mm 2.8 zooms and two generations of 24-70mm 2.8 zooms, because it was simply so good, that it wasn’t necessary to replace it. Is it still a lens worth considerng today? Let’s find out in this review!
Continue reading Review: Nikon AF-S 14-24mm 2.8G – Way ahead of its time
The Fujifilm Neopan Acros 100 II is a black and white film which is still in production today. Let’s have a closer look.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film which was exposed as ISO 100.
Continue reading Analogue Adventures – Part 49: Fujifilm Neopan Acros 100 II
I think I have always been at the forefront to introduce (new) niché lens manufacturers to you guys. Omnar lenses definitely is one of those: a boutique lens manufacturer based in the UK, producing low quantities of unique lenses and also offering lens conversions with a huge attention to detail and quality. The Omnar 50mm 2.0 Bertele FLB is a Sonnar design true to the original formula from 1934, but aims to correct the dreaded focus shift to make it a more enjoyable lens to use on rangefinder cameras. Let’s have a closer look!
This lens will be reviewed on the 24mp Leica M10 as well as the 42mp Sony A7rII and you can find sample pictures taken on the Leica M6, Leica M10 and Nikon Zf.
