All posts by BastianK

My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. Don't ask me anything about macro or wildlife shooting though.

Review: Sigma 14mm 1.4 DG Art – World’s widest f/1.4 lens

Introduction

sigma 14mm 1.4 art dg fe review sharpness contrast bokeh astro milky way coma vignetting 42mp 63mp sony a7 a7ii a7rii a7rv a7v z6 z7 z8 z9 zf
Sigma 14mm 1.4 DG Art on Sony A7rII

When it comes to 14mm fullframe lenses, Sigma likes to break records. The Sigma 14mm 1.8 DG HSM Art was the fastest 14mm lens for DSLRs when it was released in 2017 and this Sigma 14mm 1.4 DG Art is the fastest 14mm lenses for mirrorless cameras since 2023. This lens’ purpose is obviously astrophotography and on paper it is the ideal lens for milky way and especially aurora shooting. By my experience these fast ultra wide angle lenses have very high sample variation though, did Sigma manage to solve that issue? Let’s find out in this review. 

Continue reading Review: Sigma 14mm 1.4 DG Art – World’s widest f/1.4 lens →

Review: Nikon Z 135mm 1.8 S Plena

Introduction

z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Z 135mm 1.8 S Plena on Nikon Zf

While many of the higher end lenses released these days often feel like “more of the same” and maybe even a bit interchangeable, Nikon’s engineers had a clear concept in mind when designing this Nikon Z 135mm 1.8 S Plena. It doesn’t happen often that Nikon awards one of their lenses with a name, so this Plena must be something special, right? 

Sample Images

z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8 | 3-stop ND
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/3.2
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8 | Pano from 6 shots

Continue reading Review: Nikon Z 135mm 1.8 S Plena →

Review: Light Lens Lab 35mm 1.4 Aspherical “11873”

Introduction

light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Light Lens Lab 35mm 1.4 Aspherical on Leica M10

When it comes to 35mm M-mount lenses, you may think the current Leica 35mm 1.4 Summilux-M FLE MK II ($6900) is the most expensive one, but then there is also the slower Leica 35mm 2.0 Apo-Summicron-M ($9500) and if you are up to date you have also heard of the faster Leica 35mm 1.2 Noctilux-M ($9650). But all these lenses are nothing compared to a Leica 35mm 1.4 Summilux-M “11873” AA “Double Aspherical” from 1990, fetching around $20000 on the used market. Light Lens Lab decided to recreate this rare lens from the past while adding some small improvements on the way. Let’s have a look at this Light Lens Lab 35mm 1.4 Aspherical “11873”.  

Sample Images

light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/1.4
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/1.4
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/1.4
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/1.4
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/1.4
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/2.0
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/2.0
light lens lab 35mm 1.4 nine element 9/5 double aspherical aa dual review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 1.4 Aspherical | f/2.0

Continue reading Review: Light Lens Lab 35mm 1.4 Aspherical “11873” →

Analogue Adventures – Part 57: Bern

fuji fujifilm fujicolor 200 original bern suisse switzerland schweiz analogue leica m6 contax canon fd olympus om
Leica M6 | Fujicolor 200 | ECN-2 | SLRmagic 50mm 0.95 | f/0.95

On a short trip to Bern in Switzerland I exposed two rolls of still available color negative film as well as a roll of expired high ISO slide film. Let me take you on a stroll through this beautiful city!

kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
fuji fujifilm fujicolor 200 original bern suisse switzerland schweiz analogue leica m6 contax canon fd olympus om
Leica M6 | Fujicolor 200 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/8.0
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
ms-optics ms-optical aporia apora pancake smallest lens world's leica m10 24mp 42mp review sharpness bokeh vignetting
Leica M6 | MS-Optics 24mm 2.0 Aporia | Provia 400x | f/2.8
ms-optics ms-optical aporia apora pancake smallest lens world's leica m10 24mp 42mp review sharpness bokeh vignetting
Leica M6 | MS-Optics 24mm 2.0 Aporia | Provia 400x | f/2.0

Continue reading Analogue Adventures – Part 57: Bern →

Review: Sony FE 28-60mm 4.0-5.6

Introduction

fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony FE 28-60mm 4.0-5.6 on Sony A7rII

Often sold as kit lens, the Sony FE 28-60mm 4.0-5.6 is the most compact zoom lens you can find for your fullframe E-mount camera. These kit lenses often perform better than people think, but is that also the case for this cheap retractable one, that can often be found for less than 200 bucks? Let’s find out in this review.

Sample Images

fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 28mm | f/4.0
fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 60mm | f/5.6 | HDR
fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 35mm | f/6.3
fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 50mm | f/5.6
fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 35mm | f/8.0
fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 60mm | f/5.6
fe 28-60mm 28-60 4.0-5.6 sony zoom compact kit retractable collapsible 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 28-60mm 4.0-5.6 | 28mm | f/4.0

Continue reading Review: Sony FE 28-60mm 4.0-5.6 →