Zeiss offered a wide variety of manual focus lenses for Nikon F-mount and Canon EF. Many of these lenses have been famous not only for being purely manual focus lenses, but also for being pretty big compared to the competition. Sitting inbetween the huge Zeiss 15mm 2.8 and 21mm 2.8, this Zeiss 18mm 3.5 was Zeiss’ “compact” ultra wide angle prime. It also has a reputation for being the worst of them, is that justified? Let’s find out in this review!
As only the Leica/Minolta CL and the Minolta CLE feature 40mm framelines, 40mm has never become one of the most popular focal lengths in the M-mount world and the only manufacturer that caters the needs of the 40mm fans these days is Cosina, offering no less than three different 40mm options. The smallest (and slowest) of the three is the Voigtländer VM 40mm 2.8 Heliar. Let’s have a closer look.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Released at the end of 2024, this Sirui 85mm 1.4 Aurora was Sirui’s first non-cine fullframe lens aimed at photographers. It is one of the most affordable and compact 85mm 1.4 lenses, but is that enough to pick it over the strong competition? Let’s try to find out in this review!
The header bar has a new category called “Gallery”, you can also go there directly here.
This is for those of you that are mainly here for the pictures and less so for the lenses. I am starting with 9 different galleries and before extending those, I first want to see what the feedback looks like.
So drop a message in the comment section, especially if you encounter any kind of issues.
At the end of the DSLR/EF-mount era Canon released a bunch of newly designed extremely high quality TS-E lenses. This Canon TS-E 135mm 4.0L Macro is one of them. It is also Canon’s longest Tilt/Shift lens so far. Is this the dream lens for product photography? Let’s find out in this review.
