Most of you are here for lens reviews and other articles covering gear but we think it is only responsible to look beyond gear from time to time, since your skills as a photographer are much more important in the end. In this article Bastian describes his most often used composition techniques and we hope that you can get some inspiration from them to improve your own photography skills.
The Flektogon 35mm 2.4 is a highly regarded lens from Carl Zeiss Jena in the former German Democratic Rebpulic. It is the predecessor to the Distagon design still used for many modern lenses. But does this oldie still have a place on today’s digital cameras? Let us find out in this review.
The Leica Apo-Telyt-M 135mm 3.4 is the longest Leica lens for the M-series and at the same time the shortest (and only one still in production) of the Apo-Telyt series. This is a well regarded but also very expensive 135mm lens and while rather compact it is not very fast with a maximum aperture of f/3.4. Can the image quality make up for the moderate speed like we have seen with the Zeiss Loxia 85mm 2.4? Let us find out!
You ask what the heck a Magic Shift Converter is? This is a 1.4x tele converter for wide angle lenses and adds ±10mm shift movement. It for example turns Laowa’s 12mm 2.8 in a 17mm 4.0 ±10mm shift lens. In this review you will find out how this can be useful and what the influence on the image quality of the master lens is.
Continue reading Review: Laowa Magic Shift Converter 17mm 4.0
The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton E and after a slight delay just hit the shelves (02/18). The “classic” designation relates to the heritage of this lens as its symmetrical optical design is very similar to the older M-mount 35mm 1.4. What can we expect from Voigtlander’s first classic E-mount lens?
Continue reading Review: Voigtlander 35mm 1.4 Nokton E Classic