Okay, everybody is talking about how manual lenses work so well on the Sony a7 series but how does it actually work? And which results can I expect? Read on if you want to know.
Why should I use manual lenses?
They can be very cheap, you can get a great 1.4/50 lens for $50. For most applications such a lens will give you 90% of the performance of a $1000 Zeiss 1.8/55 FE. For the $1000 you would have to pay for that Zeiss you can buy an excellent set of five lenses from 20 to 300mm.
You have a huge choice between thousands of lenses ranging from exotic ones with lots of “character” to some of the very best lenses available.
There are 30-year-old primes with better image quality than many modern lenses. Of course progress has happened in recent years but still affordable primes are often sharper than very expensive modern zooms.
Old lenses are usually beautifully built from nothing but metal and glass which makes it a joy to handle them. They can last a lot longer than modern lenses which are full of electronics and very complex designs, both of which make them more likely to fail.
They also hold their value much better than modern lenses. With some patience you can sell most manual lenses without a loss but with new lenses you can expect to lose 30% in the first year.
Manual focusing can be very enjoyable. This certainly depends on application but personally I enjoy working with fully manual lenses a lot more than with any AF lens and I would choose a good manual focus lens over an AF lens (almost) any time. Check out our manual photographers series to read other photographers stories who feel similar about this.
Macro lenses around 100 mm are among the most popular primes because they can be used for a very wide range of applications. So, how did Sony’s 2.8/90 turn out? Check out my review for the in-depth analysis.
You can find all images shown in this review in full resolution in this album.