Category Archives: Nikon

Review: Nikon Z 135mm 1.8 S Plena

Introduction

z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Z 135mm 1.8 S Plena on Nikon Zf

While many of the higher end lenses released these days often feel like “more of the same” and maybe even a bit interchangeable, Nikon’s engineers had a clear concept in mind when designing this Nikon Z 135mm 1.8 S Plena. It doesn’t happen often that Nikon awards one of their lenses with a name, so this Plena must be something special, right? 

Sample Images

z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8 | 3-stop ND
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/3.2
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8
z 135mm 1.8 s plena nikon nikkor prime f/1.8 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Zf | Nikon Z 135mm 1.8 S Plena | f/1.8 | Pano from 6 shots

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Review: Zeiss Otus 100mm 1.4 Apo Sonnar

Introduction

zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Zeiss 100mm 1.4 Otus Apo Sonnar on Sony A7rII

Released in 2019, the Zeiss 100mm 1.4 Otus Apo-Sonnar might actually be the last lens Zeiss designed for DSLRs. Having been released shortly after the Sigma 105mm 1.4 DG HSM Art – but costing 2.5 times as much – surely puts it in a tough spot. Is there a reason to still get this rare and exotic lens today? Let’s find out in this review! 

Sample Images

zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Nikon Zf | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Nikon Zf | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Sony A7III | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Sony A7III | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Sony A7III | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Sony A7III | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Sony A7III | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Nikon Zf | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Nikon Zf | Zeiss 100mm 1.4 Otus | f/1.4
zeiss 100mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp sonnar planar
Sony A7III | Zeiss 100mm 1.4 Otus | f/4.0

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Review: Zeiss 28mm 2.0 Distagon ZE/ZF/ZF.2

Introduction

zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Zeiss 28mm 2.0 ZF.2 on Nikon FM2n

We haven’t seen a lot of exciting fast 28mm primes for the mirrorless mounts (yet), so today I am having a look at the Zeiss 28mm 2.0 Distagon (ZF.2 version) first released in 2009. Is there still a reason to consider this lens today or will it suffer the same fate as the Zeiss 18mm 3.5 Distagon I previously reviewed? Let’s find out!

Sample Images

zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/2.0
zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/2.0
zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/2.0
zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/2.0
zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/2.0
zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/3.2
zeiss 28mm 2.0 milvus classic t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Nikon Zf | FTZ II | Zeiss 28mm 2.0 ZF.2 | f/4.0

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Comparison: Super Fast 35mm f/1.2 AF Fullframe Lenses in 2026

Introduction

z 35mm 1.2 s nikon nikkor prime f/1.2 super fast 42mp 61mp 24mp nikon zf z6iii z8 z7ii z9 review resolution sharpness contrast bokeh vignetting coma AF
Nikon Z 35mm 1.2 S Nikkor | Viltrox AF 35mm 1.2 LAB FE N | Sigma 35mm 1.2 DG Art II

The year 2025 was the year of the 35mm 1.2 fullframe lenses, as we saw Nikon and Viltrox releasing their first lens with these specifications and Sigma updating their original 35mm 1.2 Art lens from 2019, releasing a completely overhauled second generation model.

How do these lenses compare? Where does the more affordable Viltrox lens stand compared to the lenses from the reknown manufacturers from Japan? Let’s find out all that and more in this comparison.

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Analogue Adventures – Part 55: Kodak Ektachrome 320T (expired)

ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Kodak Ektachrome 320T

As already pointed out: in 2025 no one makes slide film faster than ISO100 anymore. And no one makes slide film to shoot under artifical light (“Tungsten based”) anymore either. That wasn’t always the case and from 1992 to 2003 Kodak offered this Ektachrome 320T, a higher speed tungsten based slide film. These have all long expired, but thanks to our readers I got my hands on a roll. Let’s see what we can do with it.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.

ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Sigma 50mm 1.4 EX | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6

Continue reading Analogue Adventures – Part 55: Kodak Ektachrome 320T (expired) →