In 2017 this Sigma 14mm 1.8 DG Art was a unique offering, being the fastest 14mm lens as well as the widest f/1.8 lens. In the meantime many lenses with similar specifications have been released for mirrorless cameras, so is there still a reason to consider the original? Let’s find out in this review.
At the end of the DSLR era in 2018 also Tokina thought it would be a good idea to release a high performance 50mm 1.4 lens to compete with the Sigma 50mm 1.4 Art DG HSM and the Zeiss Otus 55mm 1.4. In Tokina’s lineup this Tokina 50mm 1.4 Opera is a bit of a unique offering, as it is the only prime lens carrying the “Opera” tag and we haven’t seen another one after. Is this as amazing a 50mm 1.4 lens Tokina claims it is, or just a relic from the past? Let’s try to find out.
At the beginning of the 1990s Nikon released two special portrait lenses featuring a “Defocus Control” mechanism, which allows you to make the bokeh smoother or harsher. This Nikon AF-D 135mm 2.0 DC is the longer of the two DC lenses and in this review I will tell you how it works and if it is still a useful portrait lens today.
Nikon has a history of producing outstanding ultra-wide-angle zoom lenses, including the long-standing top-tier F-mount 14–24mm f/2.8. They kicked off the mirrorless Z lineup with the excellent 14–30mm f/4, and after a while they really went big by releasing the fast Z 14–24mm f/2.8. It’s fast enough to handle dark indoor scenes or even night photography. While this lens definitely isn’t budget-friendly, its price and Nikon’s track record set the expectation that it should deliver well above-average performance. Let’s check it out!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
Today I’m taking a look at the Nikon Z 20mm f/1.8 S—a focal length that sits right on the edge between ultra-wide and more “safe” wide-angle lenses. It offers the immersive field of view that many people love for landscape, architecture, and environmental portrait photography, without being so wide that composition becomes tricky. The fast f/1.8 aperture is useful in low light, and combined with the focal length, makes this lens a strong option for astrophotography. It’s not among Nikon’s cheapest lenses at around $1000, but it is, of course, an f/1.8 S-Line lens. Let’s see if it’s worth the price.
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
