The optical design of this Nikkor 55mm 1.2 dates back to 1965, which makes it Nikon’s first f/1.2 lens for the F-mount. Among Nikon’s three manual focus f/1.2 ~50mm lenses this is not exactly a fan favorite though and usually considered the worst of the bunch. Let’s try to find out in this review if that bad reputation is actually justified.
Sample Images
Sony A7III | Nikon Nikkor 55mm 1.2 Ai | f/1.2Sony A7III | Nikon Nikkor 55mm 1.2 Ai | f/1.2Sony A7III | Nikon Nikkor 55mm 1.2 Ai | f/1.2Sony A7III | Nikon Nikkor 55mm 1.2 Ai | f/1.2Sony A7III | Nikon Nikkor 55mm 1.2 Ai | f/1.2Sony A7III | Nikon Nikkor 55mm 1.2 Ai | f/1.2Nikon FM2 | Nikon Nikkor 55mm 1.2 Ai | f/1.2 | Kodak Gold 200 | ECN-2
Zhong Yi LensTurboII and Nikon AF 85mm 1.4D via Pixco Speedbooster on Sony A7rII
Speedboosters are still somewhat popular among videographers, but since these days used fullframe cameras are very affordable, this is not really the case for still photographers anymore. They can be used for some creative shallow depth of field photography on fullframe cameras though, and that is what we will have a look at here.
As you may or may not know there have been several different versions of the Nikon AF 180mm 2.8 over the years. Most notable was the addition of the “D” feature in 1994, allowing the lens to transmit distance information to the camera for more accurate usage of camera flash. As this lens was first released in 1986 some of the samples approach an age of 40 years. As with every product that old, there are some things to be aware of when you are looking to buy a used sample. One of our readers, Q. Xu, did a side-by-side teardown of both versions, so we get to have a closer look at the differences between these versions and what to watch out for.
Of course this article may also be of help if you are looking to perform some kind of repairs on this lens on your own.
Nikon AF 28mm 1.4 D via Rayqual adapter on Sony A7rII
I love to have a closer look at exotic lenses from the past, especially those that had a huge influence on lens design in general, that pushed the boundaries and ultimately redefined the idea of optical performance. This Nikon AF Nikkor 28mm 1.4 D is definitely one of those lenses. Not only does it feature a ground aspherical element, but also an extremely complex internal focus mechanism with one fixed and two moving groups. In 1994 no one else made a lens comparable to this one.
Let’s see what this lens is capable of on modern high resolution digital cameras.
Sample Images
Sony A7III | Nikon AF 28mm 1.4 D | f/1.4Sony A7III | Nikon AF 28mm 1.4 D | f/1.4Sony A7III | Nikon AF 28mm 1.4 D | f/1.4Sony A7III | Nikon AF 28mm 1.4 D | f/1.4Sony A7III | Nikon AF 28mm 1.4 D | f/1.4Sony A7III | Nikon AF 28mm 1.4 D | f/1.4Sony A7III | Nikon AF 28mm 1.4 D | f/1.4
If you ask all the photographers, which single prime lens they would choose if they could own only one lens in the world, the majority would say the 35mm, and most of the rest would say a fast 35mm. This is because it is one of the most versatile prime lenses. Although it’s a wide-angle lens, it is sometimes referred to as the alternative normal lens because it is so close to the standard focal length that it does not distort the subject much. With such lenses, you can also get a good background separation with a nice bokeh. They are useful in almost all kinds of photography, especially in everyday photography, street photography, environmental portraits, landscapes, weddings, events, and travel. Additionally, it works well for stitched astrophotography.
Its popularity has led to numerous 35mm lenses being produced by various manufacturers from the early days of photography to the modern era. In this article, I will compare six of them, from vintage to old to new. Let’s have a look together!
Sony α | Leica M | Nikon F/Z New article every week
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