After the first fullframe E-mount cameras hit the market there was a lot of marketing fluff from the competitors that the E-mount was too narrow for fast high performance lenses. I cannot help but think this Sony FE 50mm 1.2 GM had mainly been designed to prove them wrong and from everything I can see it more than succeeded at that, but let’s have a closer look.
Thypoch is a new manufacturer of photography lenses and entered the market at the end of 2023 with two M-mount lenses, the Simera 28mm 1.4 and 35mm 1.4. This is a review of the 35mm 1.4, so let’s have a closer look at what it is capable of.
Laowa CF 8-16mm f/3.5-5.0 Zoom is an ultra-wide-angle zoom lens for APS-C mirrorless cameras with an impressive zoom range (equivalent to 12-24mm on fullframe sensors). It is a very compact lens and seems to fit nicely on smaller APS-C cameras. Its versatile focal length range makes it a good choice for landscape, architecture, and travel photography or whenever you want a dramatic perspective in your images. In times when it seems that all the major manufacturers (except Fujifilm) are neglecting the APS-C lens development and focusing on fullframe lenses, it is refreshing to see exciting lenses like this from third-party manufacturers. Let’s see how it behaves in real life!
I tested this lens on a Nikon Zfc
You can see this review as YouTube video here
Continue reading Review: Laowa CF 8-16mm f/3.5-5.0 Zoom (APS-C)
It was the beginning of 2019 when I published my first review of a 7Artisans lens, the 28mm 1.4 FE+ – an M-mount lens optimized for Sony E-mount. Now, 5 years later, this 7Artisans 50mm 1.8 AF is their first autofocus lens. Let us find out what it is capable of.
Introduction
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This time we take a look at another famed vintage lens, namely the legendary Helios 40. It’s an 85mm f/1.5 lens, known for, let´s see if we get it from its many titles: The King of Bokeh, The Bokeh King, the Russian Bokeh King, The Funky Bokeh King, The King of Russian Weird Bokeh, The Vintage Lenses’ King of Bokeh, etc. etc. etc. Dear child has many names. You get it, it has a reputation for its bokeh. It is also very popular among videographers seeking a dreamy vintage look with beautiful bokeh in their footage. While this lens was quite popular even back in the day, it has grown in popularity during the digital era to new heights and created kind of a cult around itself.
It was made by KMZ in the former Soviet Union for the Zenit range of SLR cameras. Like the previously reviewed “Helios 44”, there is a belief that when Russians got their hands on Zeiss Jena factory by the end of WWII, they took back the technology and drawings of many lenses to the Soviet Union, copied, and manufactured them. This one is believed to be a “copy” of Carl Zeiss Biotar 75mm f/1.5 from 1938. While the optical formula is very similar, it is a widespread Double Gauss Planar design. Besides, it is an 85mm lens. Therefore, some claim it was designed by Russian engineers themselves “based on” the Biotar 75/1.5 in 1950. Anyway, let’s have a closer look at it!
Continue reading Review: KMZ Helios 40, 85mm f/1.5 – Can the Legend Live up to Its Reputation?