Category Archives: Review

lenses, Review, Sony E-mount, Tamron

Review: Tamron 70-180mm f/2.8 Di III VC VXD G2

33 Comments

Introduction

tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Tamron 70-180mm 2.8 G2 on Sony A7rII

Just like the 28-75mm 2.8 before, Tamron now also updated its 70-180mm 2.8 lens. We already reviewed the previous lens here and we liked it. A lot actually – except for some handling unpleasantries. With the addition of a lens button and a customizable switch I expect great improvements here, but that is not all: Tamron also decided to upgrade the lens with an internal optical image stabilizer. Let’s have a closer look!

Sample Images

tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 100mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 140mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 70mm 5.6
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 150mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 120mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 180mm 2.8

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Nikon Z, Review, TTArtisan

Review: TTArtisan 100mm f/2.8 Macro 2x TS – A Jack of All Trades

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Introduction

Short telephoto macro lenses around 90mm-105mm are very popular and the market is crowded with them. Being macro lenses, they can give you great magnification (2:1 in this case), and at the same time, they can also be used as portrait lenses. But of course, they also are good for compressed landscape images and candid photography. The advantage of this lens is that it also offers a 2x magnification instead of the traditional macro 1x magnification, and besides, it is a tilt and shift lens, good for architectural and product photography, not something you see every day. Let’s see how it performs!

Sample Images

Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/11 (stacked 68 images)
TTArtisan T&S 100/2.8 Macro 2X review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (untilted)
TTArtisan T&S 100/2.8 Macro 2X review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/11 (untilted)
TTArtisan T&S 100/2.8 Macro 2X review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (tilted)

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Leica M, Minolta, Review

Review: Minolta 28mm 2.8 M-Rokkor

20 Comments

Introduction

minolta 28mm 2.8 m-rokkor leica review contrast sharpness vignetting 24mp m10 42mp m11 resolution
Minolta 28mm 2.8 M-Rokkor on Minolta CLE

The Minolta 28mm 2.8 M-Rokkor was released alongside the Minolta CLE and is one of the most affordable 28mm M-mount lenses these days. Unfortunately it is also infamous for developing “white dot issues”, probably the main reason for this lens still being affordable on the used market. What is this all about and is it still a good idea to buy this lens or should you rather stay away from it? Let’s find out.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10

Sample Images

minolta 28mm 2.8 m-rokkor leica review contrast sharpness vignetting 24mp m10 42mp m11 resolution
Leica M10 | Minolta 28mm 2.8 | f/8.0
minolta 28mm 2.8 m-rokkor leica review contrast sharpness vignetting 24mp m10 42mp m11 resolution
Sigma fp | Minolta 28mm 2.8 | f/8.0 | ©Juha Kannisto
minolta 28mm 2.8 m-rokkor leica review contrast sharpness vignetting 24mp m10 42mp m11 resolution
Leica M10 | Minolta 28mm 2.8 | f/2.8
minolta 28mm 2.8 m-rokkor leica review contrast sharpness vignetting 24mp m10 42mp m11 resolution
Leica M10 | Minolta 28mm 2.8 | f/5.6
minolta 28mm 2.8 m-rokkor leica review contrast sharpness vignetting 24mp m10 42mp m11 resolution
Sigma fp | Minolta 28mm 2.8 | f/8.0 | ©Juha Kannisto

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Leica M, Light Lens Lab, Review

Review: Light Lens Lab 50mm 2.0 Speed Panchro II

13 Comments

Introduction

light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Light Lens Lab 50mm 2.0 SP II on Leica M10

With this 50mm 2.0 Speed Panchro II lens, Light Lens Lab tried to bring the look of the original Cooke SP II to the 35mm format and doing so at an affordable pricepoint – at least compared to what the original lenses are going for on the used market these days.
Before this lens, I never paid any attention to these old cine lenses, that makes it even more interesting to have a closer look at one.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.

Sample Images

light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.0
light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.8
light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Sony A7rII UT | LM-EA9 | Light Lens Lab 50mm 2.0 SP II | f/2.8
light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.0
light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Leica M10 | Light Lens Lab 50mm 2.0 SP II | f/2.0
light lens lab cooke speed panchro ii sp spii review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue
Sony A7rII UT | Light Lens Lab 50mm 2.0 SP II | f/2.8

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Nikon, Nikon Z, Review, Viltrox

Review: Viltrox AF 24mm 1:1.8 STM ASPH ED IF (Z mount)

13 Comments

Introduction

Viltrox AF 24/1.8 Z, is the only AF prime 24mm lens for Nikon Z cameras besides the Nikon Nikkor Z 24/1.8 S (Also available with Sony FE mount). The full name is “Viltrox AF 24mm 1:1.8 STM ASPH ED IF for Nikon Z“.  24mm on a full frame camera is quite wide at the verge of ultra-wide angle, which can create dramatic images but at the same time it is not so wide that it makes composing images difficult. It is great for landscape photography, but due to its f/1.8 wide aperture, it can also be easily used indoors or in other low-light situations. It costs less than half as much as the Nikon 24mm lens, which makes it a very attractive alternative, but is it good enough? Let’s find out!

Sample Images

Viltrox 24mm f/1.8 review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | Viltrox 24/1.8 STM ASPH ED IF | f/1.8
Viltrox 24mm f/1.8 review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | Viltrox 24/1.8 STM ASPH ED IF | f/5
Viltrox 24mm f/1.8 review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | Viltrox 24/1.8 STM ASPH ED IF | f/5.6
Viltrox 24mm f/1.8 review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | Viltrox 24/1.8 STM ASPH ED IF | f/1.8

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