For 36 years this Nikon Nikkor 105mm 1.8 Ai-S has been the fastest 105mm photography lens. Despite its fast maximum aperture it is made of only five elements, can that actually be enough for appealing image quality? Let’s try to find out in this review.
I am always looking forward to put this recap together, so without further ado let’s have a look at some of the highlights of 2025 together.
Sony managed to significantly reduce the weight of their 70-200mm 2.8 zoom with its second iteration, leaving less room for an f/4.0 version below that. With the weight difference between the f/2.8 and this f/4.0 lens being a mere 250g, Sony had to find another way to make this Sony FE 70-200mm 4.0 G Macro OSS II more attractive and they tried to do that by adding a 1:2 macro feature. But was that enough? Let’s find out in this review.
Continue reading Review: Sony FE 70-200mm 4.0 G Macro OSS II
Tübingen is a nice town about 40 km south of Stuttgart in southern Germany. If you are a regular reader you will surely have come across pictures taken there in one of my reviews. This time I was only using a film camera and various films from the golden to the blue hour.
About a year after the release of the Zeiss Otus 28mm 1.4 Distagon – to the surprise of many – Zeiss released this Zeiss Milvus 25mm 1.4 Distagon. Almost as complex optical design, almost as big, almost as heavy, but “only” half the price – making it the most expensive lens of the Milvus lineup. What are you giving up in terms of performance compared to the 28mm Otus? Let’s try to find out in this review.
