Review: Light Lens Lab 35mm 2.0 Eight Element

Introduction

light lens lab summicron 35mm 2.0 f/2.0 35 eight element 8e review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Light Lens Lab 35mm 2.0 8e on Leica M10

A replica of the Leica 35mm 2.0 Summicron from the 1960s was actually Light Lens Lab’s first project. This lens was also known as “eight element” because of its optical design consisting of 8 elements in 6 groups, and this is the name Light Lens Lab picked for it. Let’s have a closer look!
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.

Sample Images

light lens lab summicron 35mm 2.0 f/2.0 35 eight element 8e review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Leica M10 | Light Lens Lab 35mm 2.0 8e | f/2.0
light lens lab summicron 35mm 2.0 f/2.0 35 eight element 8e review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Nikon Zf | TTArtisan 6-bit M->Z | Light Lens Lab 35mm 2.0 8e | f/2.0
light lens lab summicron 35mm 2.0 f/2.0 35 eight element 8e review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Nikon Zf | TTArtisan 6-bit M->Z | Light Lens Lab 35mm 2.0 8e | f/2.0
light lens lab summicron 35mm 2.0 f/2.0 35 eight element 8e review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Nikon Zf | TTArtisan 6-bit M->Z | Light Lens Lab 35mm 2.0 8e | f/11
light lens lab summicron 35mm 2.0 f/2.0 35 eight element 8e review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh film analogue
Nikon Zf | TTArtisan 6-bit M->Z | Light Lens Lab 35mm 2.0 8e | f/2.0

Continue reading Review: Light Lens Lab 35mm 2.0 Eight Element

Analogue Adventures – Part 34: Kodak Pro Image 100

Kodak Pro Image 100

I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.

kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/1.4
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/1.4
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/2.8
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/8.0
kodak pro image 100 professional review nikon f analogue film hamburg germany f80
Nikon F80 | Kodak Pro Image 100 | Sigma 50mm 1.4 EX | f/8.0

Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100

Review: Nikon AF-S 24mm 1.4G – Outdated or Modern Classic?

Introduction

nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon AF-S 24mm 1.4G via FTZ II on Nikon Zf

The Nikon AF-S 24mm 1.4G ED N was a big deal when it was released in 2010 and it ended up being my most used lens on Nikon DSLRs from 2012 to 2014. Looking for a fast wide angle lens with AF in 2024, I decided to have another look at this one – instead of spending noticeably bigger money on the noticeably smaller Sony FE 24mm 1.4 GM. Was that an objective decision? Let’s find out together.

Sample Images

nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon D700 | Nikon AF-S 24mm 1.4G | f/1.4
nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon D700 | Nikon AF-S 24mm 1.4G | f/2.0
nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon D700 | Nikon AF-S 24mm 1.4G | f/1.4
nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon Zf | FTZ II | Nikon AF-S 24mm 1.4G | f/1.4
nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Sony A7III | Nikon AF-S 24mm 1.4G | f/1.4
nikon af-s 24mm 1.4 g n ed sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma z6 z7 z8 z9
Nikon D700 | Nikon AF-S 24mm 1.4G | f/2.0

Continue reading Review: Nikon AF-S 24mm 1.4G – Outdated or Modern Classic?

Travel Diary: An Arctic Trip (Day 3)

This diary entry covers our third day of the trip. For details on previous days, see the ‘Further Reading’ section at the end of the article.

I have not included all the pictures here. This is more or less just a display of selected images from that day. To see all of them with more details and information, watch the video of this third day for a unique experience and a story of this adventurous day!

Youtube small iconAn Arctic Trip; Day Three

After two nights at our first camp, we left that camp to go somewhere else. But before moving on to the new camp, we went to the main activity of the day that we had all been looking forward to, Polar dog sledding in the Nordic forests.

Nikon Z6 | Nikkor Z 24-70/4 S | f/7.1
Nikon Z6 | Nikkor Z 24-70/4 S | f/7.1
Nikon Z6 | Nikkor Z 24-70/4 S | f/11
Nikon Z6 | Nikkor Z 24-70/4 S | f/11

Continue reading Travel Diary: An Arctic Trip (Day 3)

Reviewing Lenses isn’t really worth it

Excuse me for the usage of such a clickbait title (again). The photography world is a declining market, which is why some big photography related websites already went out of business. Others are so loaded with advertising these days, it is barely possible to spot the actual content anymore. Some also opted for membership programs like Patreon. We on the other hand always financed this blog exclusively through unobtrusive affiliate links. This is only possible because it is a passion project by people with actual jobs that just happen to love photography.

I still have no intention to add annoying adverts or introducing a membership/Patreon/Onlyfans system, as I have always been an advocate of free internet and freely accessible information. I also don’t want to push junk software with high margins that I would never want to use myself or offer questionably useful presets.

This means I have to push this article 1-2 times per year – similar to what Wikipedia is doing every now and then – to reach more people.

There are many articles here that generate zero income: for example the Analogue Adventures and everything from the Technical Knowledge category, as these are not really about a product that could be bought by you. Same is also true for the reviews of simply bad lenses. Why would you buy them through affiliate links if we just told you they suck?

Affiliate links also don’t work for everyone and every item. If you are not from Canada or the US, B&H is surely less attractive. Many people from Europe don’t like ordering directly from Asia because of import duties and some items may also not be available through our affiliate partners at all.

Thinking of reviews of affordable vintage lenses: if you buy a lens for $50 on eBay, we only get a $1 commission for that. So in these cases, you would do us a bigger favour by donating $5 and buying that lens at a lower price locally (if possible), than using the affiliate links.

If you find yourself in one of these categories – or if you simply want to support us without using affiliate links – you can do that by using this Paypal donate button under our articles:

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The money you donate will go directly to the author of that article. Even though the blog had two million visitors last year according to our statistics, only around 100 decided to make a donation, so you can make a real difference here.

And if you often find yourself ordering from one of our affiliates: why not use any of our Amazon or eBay links as starting point for your purchases? It won’t cost you anything extra and helps us a lot. It doesn’t matter what you order, whether it is photography related or not, as long as you clicked on one of the links first.

PS: In my case any money would be used to track down and review further exotic lenses that you cannot find really useful information on elsewhere (like e.g. the Zeiss Hologon 16mm 8.0 or the Olympus OM 180mm 2.0).

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