Review: Nikon AF-S 14-24mm 2.8G – Way ahead of its time

Introduction

nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon AF-S 14-24mm 2.8G via FTZ II on Nikon Z6

Released in 2007, the Nikon AF-S 14-24mm 2.8G was way ahead of its time. It pushed the limits of what can be expected from a very wide f/2.8 ultra wide angle zoom – by a lot actually – and not only rendered a bunch of primes in the 14mm to 24mm range useless, it also survived three generations of 70-200mm 2.8 zooms and two generations of 24-70mm 2.8 zooms, because it was simply so good, that it wasn’t necessary to replace it. Is it still a lens worth considerng today? Let’s find out in this review!

Sample Images

nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 14-24mm 2.8G | 14mm | f/2.8 | Ai Denoise
nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Sony A7s | Nikon AF-S 14-24mm 2.8G | 14mm | f/2.8 | pano from 3 shots
nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 14-24mm 2.8G | 14mm | f/2.8 | Ai Denoise
nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 14-24mm 2.8G | 14mm | f/8.0
nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 14-24mm 2.8G | 14mm | f/8.0
nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 14-24mm 2.8G | 14mm | f/8.0
nikon af-s 14-24mm 2.8 G ed N zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 14-24mm 2.8G | 24mm | f/2.8

Continue reading Review: Nikon AF-S 14-24mm 2.8G – Way ahead of its time

Review/Comparison: Nikon NIKKOR Z 35mm f/1.4 (vs. 35/1.8 S)

Introduction

In this review, we take a look at the Nikon Z 35mm f/1.4, released several years after the original Z-series 35mm, the Z 35mm f/1.8 S. It brings the long-sought f/1.4 aperture typically found on Nikon’s pro lenses, which is always an exciting option, but without the “S” designation used for the company’s higher-end optics.

The pricing is what really stands out: the f/1.8 S is actually more expensive, despite being about two-thirds of a stop slower. So which one makes more sense? A direct comparison should help clarify which lens is the better fit—and what compromises, if any, come with the faster option.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | Nikon Z 35mm f/1.4 | f/5
Nikon Zf | Nikon Z 35mm f/1.4 | f/1.4
Nikon Zf | Nikon Z 35mm f/1.4 | f/5
Nikon Zf | Nikon Z 35mm f/1.4 | f/1.4
Nikon Zf | Nikon Z 35mm f/1.4 | f/14
Nikon Zf | Nikon Z 35mm f/1.4 | f/1.4

Continue reading Review/Comparison: Nikon NIKKOR Z 35mm f/1.4 (vs. 35/1.8 S)

Analogue Adventures – Part 49: Fujifilm Neopan Acros 100 II

Fujifilm Neopan Acros 100 II

The Fujifilm Neopan Acros 100 II is a black and white film which is still in production today. Let’s have a closer look.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film which was exposed as ISO 100.

fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II

Continue reading Analogue Adventures – Part 49: Fujifilm Neopan Acros 100 II

REVIEW: TTArtisan 14mm f/2.8

Introduction

Here we have another ultra-wide-angle lens from TTArtisan: an affordable 14mm with a maximum aperture of f/2.8. It’s quite compact and reasonably fast for such a wide-angle lens. A 14mm lens is a good choice for architectural and dramatic landscape photography. The f/2.8 aperture also makes it suitable for astrophotography, and at around 196 USD it remains very affordable. Let’s take a look at its performance.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | TTARTISAN 14mm f/2.8 | f/4
Nikon Zf | TTARTISAN 14mm f/2.8 | f/8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8

Continue reading REVIEW: TTArtisan 14mm f/2.8

Review: Omnar 50mm 2.0 Bertele FLB

Introduction

omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Omnar 50mm 2.0 Bertele on Leica M10

I think I have always been at the forefront to introduce (new) niché lens manufacturers to you guys. Omnar lenses definitely is one of those: a boutique lens manufacturer based in the UK, producing low quantities of unique lenses and also offering lens conversions with a huge attention to detail and quality. The Omnar 50mm 2.0 Bertele FLB is a Sonnar design true to the original formula from 1934, but aims to correct the dreaded focus shift to make it a more enjoyable lens to use on rangefinder cameras. Let’s have a closer look!
This lens will be reviewed on the 24mp Leica M10 as well as the 42mp Sony A7rII and you can find sample pictures taken on the Leica M6, Leica M10 and Nikon Zf.

Sample Images

omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Lomo 100 | Omnar 50mm 2.0 | f/2.8
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Ektar 100 | Omnar 50mm 2.0 | f/2.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Ektar 100 | Omnar 50mm 2.0 | f/2.8
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Lomo 100 | Omnar 50mm 2.0 | f/4.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Nikon Zf | Techart TZM 02 | Omnar 50mm 2.0 Bertele FLB | f/2.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Nikon Zf | Techart TZM 02 | Omnar 50mm 2.0 Bertele FLB | f/2.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Nikon Zf | Techart TZM 02 | Omnar 50mm 2.0 Bertele FLB | f/2.0

Continue reading Review: Omnar 50mm 2.0 Bertele FLB

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