This is my now final review of the Sony SEL2470z. Keep in mind that I do lots of landscape photography so I emphasize certain aspects others won’t find as important and vice versa. Introduction This is the fourth lens released for the Sony FE-System. In theory it should be good for many applications like reportage or … Continue reading Review: Carl Zeiss FE 4/24-70 Vario-Tessar T*
The LA-EA4 makes it possible to use Sony A-mount lenses like the mighty ZA 1.8/135 on E-mount bodies like the Sony Alpha 7 or Nex-6 with full AF support and aperture control. In this article I want to give an overview about its functionality and share my experience with it. This adapter was loaned to … Continue reading Sony LA-EA4 Adapter Review
Introduction The Carl Zeiss 16-70mm 1:4 made by Sony is an expensive standard lens for the Nex / APS-C E-mount line of cameras. It combines a very useful focal range with a decent moderate speed and size. All in all I think it is an interesting lens but it has some weaknesses which will … Continue reading Carl Zeiss E 4/16-70 ZA OSS for Sony Nex Review
I already shot Kodak Pro Image 100 and had it developed in the typical C-41 process, this time we see how it turns out when developed in the more complex ECN-2 process. Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from one roll of film. Per recommendation … Continue reading Analogue Adventures – Part 51: Kodak Pro Image 100 ECN-2
After finishing a roll of Kodak ColorPlus 200, I decided to try another Kodak classic: Kodak Gold 200. The film was developed by bildskanning.com, and digitized using a Valoi easy120 system and TTArtisan 100mm macro 2X. The scans were then processed in Negative Lab Pro. With this roll in the camera, I set out to … Continue reading Analogue Photography: Part 6 – Kodak Gold 200