Introduction Let’s take a look at a lens from one of the industry’s heavyweights, Carl Zeiss—the 21mm f/2.8 from the Milvus series. It offers the immersive field of view that many people love for landscape, architecture, and environmental portrait photography, without being so wide that composition becomes tricky. As Zeiss’s final DSLR-era lineup, the Milvus lenses … Continue reading REVIEW: Zeiss Milvus 21mm f/2.8
Introduction In 2019 Samyang relesased this Samyang 35mm 1.2 XP. At that time, I honestly didn’t care much about it, because Sigma also released their Sigma 35mm 1.2 Art DG DN mirrorless design, which actually offered AF, making it a more sensible choice. This Samyang 35mm 1.2 XP is one of only two fullframe 35mm … Continue reading Review: Samyang 35mm 1.2 XP
Introduction After the Sony FE 40mm 2.5 G and the TTArtisan 40mm 2.0 AF we now have a third compact 40mm lens with AF: the 7Artisans 40mm 2.5 AF. Let’s find out in this review how it compares to its competitors. Sample Images
Introduction Today I’m taking a look at the Nikon Z 20mm f/1.8 S—a focal length that sits right on the edge between ultra-wide and more “safe” wide-angle lenses. It offers the immersive field of view that many people love for landscape, architecture, and environmental portrait photography, without being so wide that composition becomes tricky. The … Continue reading REVIEW: Nikon Z 20mm f/1.8 S
Introduction Could the Nikon Z 24–200mm f/4–6.3 be the only lens you really need? After reviewing the Nikon Z 24–70mm f/4 S and the Nikon Z 24–120mm f/4 S, several readers asked if I could also take a look at this superzoom. I said that if there was enough interest—and if I could get my … Continue reading Review: Nikon Z 24-200mm f/4-6.3