Introduction Christmas is around the corner so everyone wants to sell their goods in November. The industry came up with a bunch of stuff like Single’s Day and Black Friday and many camera and lens manufacturers are also using this opportunity. In this article I will collect the deals I think are actually worthwhile. Update: … Continue reading November Deals
Silbersalz35 125T Edition Vivid 500Silbersalz35 is mainly famous for their repacked Kodak Vision3 Cine films, but every now and then they also sell this “Edition Vivid 500 125T Vintage Cinefilm”. Rumors are this is expired Fuji Eterna 500, downrated to ISO125, but there is no way for me to verify that. What I did however, … Continue reading Analogue Adventures – Part 36: Silbersalz35 125T Edition Vivid
The nice thing about this series: sometimes very unexpected things happen. A friend from Hong Kong sent me a roll of Eastman Double-X 200 black and white film. The regular readers already know I am not a huge fan of black and white film, but they also know I could never resist using a film … Continue reading Analogue Adventures – Part 35: Kodak Eastman Double-X 200
I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out. Processing (C-41) and scanning was done at urbanfilmlab in … Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100
Introduction With the release of Sony’s first A7 series camera we saw a renaissance of many legacy lenses from “dead” mounts like Canon FD, Olympus OM, Minolta SR and several more. Because of flange focal distance issues these lenses often couldn’t be attached to modern DSLRs. And even if it was possible, it was a … Continue reading The best fullframe mirrorless camera for adapting manual focus lenses