Introduction With the release of Sony’s first A7 series camera we saw a renaissance of many legacy lenses from “dead” mounts like Canon FD, Olympus OM, Minolta SR and several more. Because of flange focal distance issues these lenses often couldn’t be attached to modern DSLRs. And even if it was possible, it was a … Continue reading The best fullframe mirrorless camera for adapting manual focus lenses
Introduction Modern Voigtländer branded lenses are made by Cosina in Japan. These are all manual focus lenses but except for the M-mount lenses they all feature electronic contacts to communicate with your camera. This is an overview of ~50 of their lenses with my opinion summarized in one sentence to give you an overview and … Continue reading Lens Reviews in one Sentence – Part 1: Voigtländer
Introduction In 2022 Leica started updating some of their f/1.4 Summilux-M lenses. The first lens to receive this treatment was the Leica 35mm 1.4 Summilux-M Asph (now often referred to as “FLE MK II”). While the optical design seems to have remained mostly the same, the new lens features a different casing design and also … Continue reading Review: Leica 35mm 1.4 Summilux-M Asph FLE MK II
This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, … Continue reading Analogue Adventures – Part 33: Harman Phoenix 200
Introduction The Nikon Nikkor 200mm 2.0 IF-ED Ai from 1977 is not only one of Nikon’s most famous lenses, it is also one of the few super fast tele lenses in the ~200mm range I did not yet get my hands on. I have been watching the eBay auctions for this lens for years and … Continue reading Review: Nikon 200mm 2.0 IF-ED Ai – The first of its Kind