Analogue Adventures – Part 51: Kodak Pro Image 100 ECN-2

Kodak Pro Image 100

I already shot Kodak Pro Image 100 and had it developed in the typical C-41 process, this time we see how it turns out when developed in the more complex ECN-2 process.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from one roll of film. Per recommendation when having the film ECN-2 developed I shot it at half box speed (ISO 50).

kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/2.0
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/0.95
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/2.0

For this series I have been shooting a lot of films – new and expired – and every now and then it is surely nice to use a fresh Kodak film, as you can usually expect good results from them.

kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/0.95
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/2.8

The Kodak Pro Image 100 generally allows for high quality pictures. Compared to having it developed in C-41 I found the colors to be a bit more neutral and less warm this time, that is unless you are shooting under artificial light of course, where it will look quite orangey.

Nice low ISO film with low grain, good dynamic range (especially when ECN-2 developed) and high resolution for daylight shooting. With both rolls I shot – and therefore regardless of the process – reds in the darker parts come out very saturated though.

kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/2.8
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | MS-Optics 24mm 2.0 Aporia | f/11
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/5.6
kodak pro image 100 professional review nikon f analogue film Leica M6 ecn-2 50
Leica M6 | Kodak Pro Image 100 | ECN-2 | SLRmagic 50mm 0.95 | f/5.6

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My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. Don't ask me anything about macro or wildlife shooting though.

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