Fisheye lenses are not exactly hugely popular and the fact that we haven’t seen a fullframe fisheye lens designed for mirrorless yet – in more than 60 years of the Leica-M system we haven’t seen a single one – only supports this. So maybe this 11mm 2.8 from TTArtisan is a welcome surprise, being the first of its kind? Let us find out in this review!
February 2023: Alternatives section updated
A 50mm 1.4 Tilt lens? Some of you might be having a Deja Vu now, as just recently I reviewed the AstrHori 50mm 1.4 Tilt lens. This TTArtisan 50mm 1.4 Tilt features a completely different optical and mechanical design though, so let’s find out together in this review which is the better lens.
Tilt/Shift lenses are rather exotic, they are mostly used for architecture or table top photography, and with the wide availability of post processing (correcting converging vertical lines and focus stacking) you see them very rarely nowadays, even amongst professional photographers.
In this article I will tell you what Tilt/Shift lenses are all about and what they can be used for.
I try to be as objective as possible when reviewing lenses, but I am not always free of preconceptions. When it comes to this Funleader 18mm 8.0 I didn’t really want to review it at first. Funleader sounded more like a name of a company for adult toys to me and with the fixed f/8.0 aperture (and fixed focus) it felt like some Holga/Pinhole lens as well. But the Funleader team did not only keep being persistent in asking me to review their lens, they also improved its design: the lens can now be focused and more importantly the Funleader writing on the casing is much smaller. So this time I had a closer look and found out that it is actually a rather complex design consisting of 6 elements in 5 groups. But is this enough for an 18mm lens? Let’s find out together.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Leica users where the first to discover that their old compact wide angle lenses with the rear element close to the film/sensor plane have some color cast issues on digital cameras. This is an issue that cannot fully be solved by the optical design – at least when following the quest to create compact lenses. But there is something we can do: fix this in post. How to do it? I will show you in this article.