Thypoch continues completing their f/1.4 M-mount lens lineup with this Simera 75mm 1.4. Almost the same size as the Voigtländer VM 75mm 1.5 Nokton, only 40g heavier, but with floating elements and a better minimum focus distance. Is this Thypoch’s best lens yet? Let’s find out in this review!
Continue reading Review: Thypoch Simera 75mm 1.4 – Their best lens yet?
35mm are the favorite focal length of many reportage, event and wedding photographers. In the last years we saw boundaries being pushed as we can now choose from f/1.2 lenses with autofocus and manual focus lenses that even offer a maximum aperture of f/0.95. I gathered five recent ones of these super fast 35mm lenses with maximum apertures ranging from f/0.95 to f/1.2 and will compare them, to give you an idea which might work best for your needs.
Continue reading Comparison: Super Fast 35mm f/0.95 | f/1.2 Fullframe Lenses
Since its release in 2019 I have been using the Sigma 35mm 1.2 Art DG DN as my main lens for any kind of reportage work. It took until 2025 for another manufacturer to challenge Sigma by releasing a 35mm 1.2 lens with autofocus of their own. Actually, there were two at almost the same time: Nikon with their Nikon Z 35mm 1.2 S and Viltrox with this Viltrox AF 35mm 1.2 FE LAB. As the Nikon lens sells for 3 grand it is out of reach for most people. This Viltrox lens is way more attractively priced, so let’s find out if it is time to retire my Sigma 35mm 1.2 Art DG DN after 6 years of usage.
While some lens manufacturers strive for optical perfection, others decide to offer lenses with more “character” – often based on famous lenses from the past. This Artizlab 35mm 1.4 Classic is one such lens. From the outside it looks like the Leica 35mm 1.4 Summilux from 1960 and while featuring a different optical design, it is certainly undercorrected for many aberrations, creating a distinct look. Whether you like that look or not is a different question though. So let’s try to answer it with the help of this review.
Released in 2017, this Samyang 14mm 2.4 XP had a similarly bad timing as the Zeiss Otus and Milvus lenses its mechanical design is undoubtedly based on. By that time many people started using mirrorless cameras, so these huge DSLR designs certainly started looking less appealing. On top of that, many of us had been burned by Samyang’s (at least at that time) awful quality control, so paying a premium price for a Samyang lens? Not many people were interested in doing that. Nevertheless, some people say this is one of the best lenses for astrophotography ever made, that alone is reason enough to have a closer look at it.
