My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses.
Don't ask me anything about macro or wildlife shooting though.
As second lens for their “Ksana” series Thypoch decided to release a compact 35mm 2.0 M-mount lens with black paint finish. These Ksana lenses feature vintage coatings – to create a distinct color signature – but are otherwise modern designs. The Thypoch 21mm 3.5 Ksana proved to be a capable yet compact lens, will this Thypoch 35mm 2.0 Ksana follow its footsteps? Let’s find out in this review! This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
There are some lenses I would like to review one day, but the more interesting (read: rare and expensive) they are, the less feasible it is for me to buy them just to write a review.
Thanks to several readers here I already got the opportunity to remove several lenses from this list in the past, but there are still some left:
E-mount:
Sony FE 12-24mm 2.8 GMReview
Sigma 14mm 1.4 Review coming soon Sony FE 14mm 1.8 GMReview Sigma 17mm 4.0Review Samyang 18mm 2.8 AFReview Sigma 20-200mm 3.5-6.3 CReview Sony FE 20mm 1.8 GReview Samyang 24mm 1.8 AFReview
Voigtländer 28mm 2.0 Apo-Lanthar E
Sony FE 28-70mm 2.0 GM
Sigma 28-45mm 1.8
Sigma 35mm 1.2 II Review coming soon
Sigma 50mm 1.2
Sony FE 50-150mm 2.0 GM Sony FE 50mm 1.4 GMReview Samyang 50mm 1.4 AF MKIIReview Sony FE 50mm 1.2 GMReview Sony FE 85mm 1.4 GM MK IIReview
Samyang 85mm 1.4 AF MKII Samyang 135mm 1.8 AFReview
Sigma 20-200mm 3.5-6.3 DG Contemporary on Sony A7rII
You haven’t seen (m)any reviews of superzoom lenses on this blog so far, because traditionally many of those ~10x zoom lenses were either lacking in terms of optical performance (e.g. Sony FE 24-240mm 3.5-5.6 OSS) and/or I personally didn’t find the focal length range particularly useful, often starting at 28mm (e.g. Tamron 28-200mm 2.8-5.6 Di III RXD). Furthermore, if you want to review such lenses properly, it takes a lot of time and effort, equal to reviewing several prime lenses.
With its unique focal length range this Sigma 20-200mm 3.5-6.3 DG Contemporary intrigued me though, but can the performance of such a bold design be any good? I ultimately decided to buy one and see for myself how it performs, so here we are.
Kodak Ektachrome E200 is a daylight slide film whose production ceased a very long time ago. I got my hands on a roll (expired in 2009), so let’s see what we are missing out on these days. Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.
Since its release in 2019 I have been using the Sigma 35mm 1.2 Art DG DN as my main lens for any kind of reportage work. It took until 2025 for another manufacturer to challenge Sigma by releasing a 35mm 1.2 lens with autofocus of their own. Actually, there were two at almost the same time: Nikon with their Nikon Z 35mm 1.2 S and Viltrox with this Viltrox AF 35mm 1.2 FE LAB. As the Nikon lens sells for 3 grand it is out of reach for most people. This Viltrox lens is way more attractively priced, so let’s find out if it is time to retire my Sigma 35mm 1.2 Art DG DN after 6 years of usage. Last Update May 2026: information on new “N” version added
Sample Images
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.3Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
Sony α | Leica M | Nikon Z/F New articles every week
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